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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

CMAT © Sarah Doyle
Columns, Music, Today's SongJune 1, 2023<October 3, 2023

CMAT Reminds Us to “Have Fun!” (Despite Life’s Madness) on the Spirited New Single Off Her Sophomore LP ‘Crazymad, For Me’

eundohee © Chris da Canha
Features, Interviews, Music, Track-by-TrackMay 26, 2023<June 1, 2023

Lifting the Fog: Seoul’s eundohee Enchants & Inspires with Breathtaking Indie Folk on ‘Kookaburra’ EP

The Fae © 2023
Columns, Music, Today's SongMay 26, 2023<May 26, 2023

Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need

Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

Santa Chiara © Zoe Salvucci
Music, PremieresMay 24, 2023<May 24, 2023

Premiere: Santa Chiara’s “Peach Tree” Is a Sun-Kissed Soundtrack to Sweet Summer Nostalgia

Scott Tyler Schwartz © 2023
Music, ReviewsMay 23, 2023<May 23, 2023

“The heat is rising”: The Shadowboxers’ Scott Tyler Schwartz Lights a Fire on “Time & Temperature”

Runnner's Noah Weinman © Seannie Bryan
Debut, Features, Interviews, MusicMay 23, 2023<May 23, 2023

Connection, Communication, and the Human Condition: A Conversation with Runnner’s Noah Weinman

Gregory Alan Isakov © Glen Ross
Columns, Music, Today's SongMay 22, 2023<June 10, 2023

“We all break a little when we fall”: Folk Farmer Gregory Alan Isakov Returns with “The Fall,” a Hauntingly Beautiful Song of Life’s Trapeze Act

Atwood Magazine's Editor's Picks 100, featuring Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, and Overcoats!
Columns, Editor's Picks, Features, MusicMay 19, 2023<May 19, 2023

Editor’s Picks 100: Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, & Overcoats!

Folamour © Koria
Columns, Music, Today's SongMay 19, 2023<May 19, 2023

Today’s Song: On “Friends,” Folamour & Tim Ayre Capture the Importance of Human Connection

Abby Holliday © Luke Holliday 2023
Features, Interviews, MusicMay 18, 2023<May 19, 2023

Interview: On ‘I’M OK NO I’M NOT,’ Abby Holliday Soundtracks Her Quarter-Life Crisis with Tasteful Turbulence & Bold Tenacity

Lauds © Mary Hannah Riley
Debut, Features, Interviews, Music, PremieresMay 18, 2023<May 18, 2023

Feature: Wilmington’s Lauds Debut with ‘Imitation Life,’ a Reflective, Shadowy, & Uplifting Dream Pop Reckoning

OK Cool © Kennedy Cottrell
Features, Interviews, Music, Track-by-TrackMay 17, 2023<May 17, 2023

“A Rabbit Hole of Digital Grief”: OK Cool’s Visceral, Vulnerable, & Raw ‘fawn’ EP

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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