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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

Atwood Magazine's Editor's Picks 86
Columns, Editor's Picks, Features, MusicFebruary 1, 2023<March 16, 2023

Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz!

Evelyn Frances © Heather Skye photography
Columns, Music, Today's SongFebruary 1, 2023<February 1, 2023

Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City

Fly Yeti Fly © courtesy of the artist
Debut, Features, Interviews, Music, Track-by-TrackJanuary 31, 2023<January 31, 2023

Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder

The Crystal Casino Band © Cagla Akcadag
Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 29, 2023

Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph

Features, Interviews, Music, Track-by-TrackJanuary 27, 2023<January 27, 2023

Feature: Humanity’s Existential Crisis Shines on Tuomo & Markus’ ‘Game Changing’ New Album

We're Here, My Dear - Ging
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2023<January 26, 2023

“Ode to a Love That’s Free”: Ging’s (ex-Frank Dukes) Debut Album ‘We’re Here, My Dear’ Is a Breathtakingly Raw Reckoning

Abby Holliday © Luke Holliday
Columns, Music, Today's SongJanuary 26, 2023<May 18, 2023

Today’s Song: “Ohio Laundry Room” Is Abby Holliday’s Beautiful, Raw Reckoning with Grief, Love, & Death

James Crowley © 2023
Music, PremieresJanuary 26, 2023<January 26, 2023

Premiere: James Crowley Lets the Light in on “By You,” a Raw Reckoning Wrapped in Indie Folk Dreams

L.S. Dunes © Mark Beemer
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023

Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes

Illiterate Light © Joey Wharton
Columns, Music, Today's SongJanuary 25, 2023<January 25, 2023

Today’s Song: Illiterate Light’s “Fuck LA” and the Endless Ache of Long Distance Love

Cartoon Hearts © Natalia Neira
Debut, Music, PremieresJanuary 25, 2023<January 25, 2023

Premiere: Cartoon Hearts Go ‘All in’ on Debut Single “legs,” a Soaring Anthem of Love, Liberation & Hopeless Romance

Roanoke © Andrea Belk
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Enchanting, Nostalgic, & Driving”: Roanoke Find Redemption on ‘Wolf Motel,’ a Stunning Soft Rock Reverie

Atwood Magazine's Editor's Picks 85
Columns, Editor's Picks, Features, MusicJanuary 24, 2023<March 11, 2023

Editor’s Picks 85: Jake Isaac, Softcult, DAMOYEE, Constant Smiles, Adi Oasis, & Neon Dreams!

Dana Why 'The Lyre' © 2023
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Even pain can feel good.”: Asbury Park’s Dana Why Erupts with Unapologetic Intensity on Debut Album ‘The Lyre’

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