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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Brazen Youth © 2022
Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Refuge and Raw Reckoning: The Brazen Youth’s ‘Eagle, Idaho’ Is a Breathtaking Soundtrack to Tragedy, Grief, & Growth

FVNERAL © Jay Wennington
Debut, Features, Interviews, Music, Track-by-TrackOctober 20, 2022<October 20, 2022

Bathtub Stoner Blues: FVNERAL’s ‘WHEN I GET SOBER’ EP Is an Achingly Vulnerable “Bruce Springsteemo” Debut

Frances Luke Accord © Luke Jackson
Music, PremieresOctober 20, 2022<October 20, 2022

Premiere: Frances Luke Accord Rise with Warm Folk-Fueled Call to Action, “Window”

Tyson Motsenbocker © 2022
Features, Interviews, Music, Track-by-TrackOctober 19, 2022<October 19, 2022

Milk Teeth: Tyson Motsenbocker Reckons with Childhood vs. Adulthood in His Achingly Tender, Beautifully Raw & Dreamy Third LP

"My perspective, it's the best seat in the house!" The Killers' Ronnie Vannucci Jr. © Chris Phelps
Features, Interviews, MusicOctober 19, 2022<October 19, 2022

Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More

Atwood Magazine Editor's Picks 77
Columns, Editor's Picks, Features, MusicOctober 18, 2022<March 11, 2023

Editor’s Picks 77: Wheelwright, Sam Austins, Morning Midnight, zzzahara, Mary Anne’s Polar Rig, & Lexi Jayde!

"Letter to My Ex (Thank You, Goodbye)" music video still - Sohodolls
Music, Music Videos, PremieresOctober 18, 2022<October 18, 2022

Premiere: Sohodolls Get the Last Word with Stunning “Letter to My Ex (Thank You, Goodbye)”

BLOODMOON © James Adams
Debut, Features, Interviews, MusicOctober 17, 2022<January 12, 2023

Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’

Tribe Friday © Miranda Fredricksson
Debut, Features, Interviews, Music, Track-by-TrackOctober 14, 2022<October 14, 2022

‘bubblegum emo’: Sweden’s Tribe Friday Debut with Style, Drive, & Raw Passion

Hazlett © Olof Grind
Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022

“Nostalgic Ballroom Folk”: Hazlett Delves into His Hauntingly Hushed & Achingly Intimate ‘Oh Downhill’ EP

Constant Follower © Jannica Honey
Debut, Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022

Space, Dreams, & Memory: Scotland’s Constant Follower Debut with ‘Neither Is, Nor Ever Was,’ a Hauntingly Beautiful Record Capturing Life’s Magic Spark

Cost of Giving - Ari Lindo © Tom White
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022

Nostalgia, Impermanence, & Solace: Ari Lindo Embraces Stillness in ‘Cost of Giving,’ a Sweetly Stirring Debut

Bolinas © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022

Track-by-Track: Bolinas’ Debut Album Is ‘Heavy Easy Listening’ At Its Finest

Atwood Magazine's Editors Picks 76
Columns, Editor's Picks, Features, MusicOctober 11, 2022<March 11, 2023

Editor’s Picks 76: Handsome Ghost, Black Honey, Field Guide, Jasmine Jethwa, Girl Scout, & The Drives!

Human Barbie © 2022
Features, Music, Premieres, Track-by-TrackOctober 11, 2022<October 11, 2022

“Trapped in a photograph…”: Human Barbie Embraces the Gloom on Hauntingly Intimate ‘no worries’ EP

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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