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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

WILSN © She Is Aphrodite
Music, PremieresSeptember 28, 2022<September 29, 2022

Premiere: WILSN Comes to Life on Smoldering, Cinematic & Soul-Soaked “If You Wanna Love Me”

Death Cab for Cutie © Jimmy Fontaine
Features, Interviews, MusicSeptember 28, 2022<September 29, 2022

“Honoring the Past, But Not Bound By It”: An Interview with Death Cab for Cutie

Chad Price © Jenalle Los
Features, Interviews, Music, Track-by-TrackSeptember 27, 2022<September 29, 2022

“These hearts are heavy, but they’re not broken”: Toronto’s Chad Price Dwells in Vulnerability & Intimacy on Soul-Stirring ‘Introversion’ LP

Atwood Magazine's Editors Picks 74
Columns, Editor's Picks, Features, MusicSeptember 27, 2022<March 11, 2023

Editor’s Picks 74: L.S. Dunes, Charlotte Lawrence, Peace Ritual, Sadurday, Dear Boy, & Abby Sage!

Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

Feature: Timothy Edward Carpenter’s Brutally Honest & Breathtakingly Vulnerable ‘PREP SCHOOL’ EP

Why Bonnie © Alec Castillo
Debut, Features, Interviews, Music, Track-by-TrackSeptember 26, 2022<September 26, 2022

“Lonely times are louder in the Lone Star State”: The Reckoning & Raw Reflection of Why Bonnie’s Standout Debut ’90 in November’

Asylums © Alistair Underwood
Artist to Watch, Music, PremieresSeptember 26, 2022<September 26, 2022

Premiere: Asylums’ Spirited “Instant Coffee” Is a Highly Caffeinated, Deeply Cathartic Anthem for the Broken & Bitter

Talk Show © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 23, 2022<March 14, 2024

Touch the Ground: London’s Talk Show Kiss the Sky with Feverish Industrial Post-Punk EP

Slaney Bay © Henry Ager
Artist to Watch, Debut, Features, Interviews, MusicSeptember 22, 2022<November 11, 2022

“Where the Horror Meets the Healing”: A Conversation with London Indie Rock Trio Slaney Bay

Neev © 2022
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: The Soft Swell of Neev’s Captivating “Seawall,” a Beautiful Song of Burnout & Fatigue

Roses & Revolutions © Jacalyn Meyvis
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: Roses & Revolutions’ Quietly Stunning “Moon Song” Dwells in a Beautiful Moment of Stillness & Stasis

Blond in Car
Features, Interviews, Music, Track-by-TrackSeptember 20, 2022<September 20, 2022

A Portrait of Devastation: Blond in Car’s Bittersweet, Dreamy, & Honest ‘Different Dream’ EP

Jackson Mico Milas © Max Fairclough
Music, Music Videos, PremieresSeptember 20, 2022<September 20, 2022

Premiere: The Warmth, Beauty, & Tranquility of Jackson Mico Milas’ Gently Stirring “The Bay Fire”

Atwood Magazine's Editor's Picks 73
Columns, Editor's Picks, Features, MusicSeptember 16, 2022<September 29, 2022

Editor’s Picks 73: Kramies, Maude Latour, The 1975, Jessie Reid, The Backseat Lovers, & milk.!

Gordi © Jess Gleeson
Features, Interviews, Music, Track-by-TrackSeptember 15, 2022<December 11, 2022

“Escape Outwards Inwards”: Gordi Discusses Her Beautifully Raw & Innately Human ‘Inhuman’ EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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