• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Oliver Crook

Oliver Crook

Junior editor Oliver Crook is a Canada-based journalist who has been playing guitar and deciphering lyrics since he first heard Sum 41’s “Fat Lip” blasting through his older brother’s bedroom walls. Although his taste has (somewhat) developed since then, his passion is just as strong as ever. When not writing about music, he can be found drinking too much coffee, complaining about the finickiness of avocados, and being disappointed by all of his favourite sports teams.

Sean Medlin © Nina Paz
Books, Columns, Music, ReviewsSeptember 22, 2021<September 22, 2021

Book Review: Sean Avery Medlin Creates a New Universe Begging to be Explored in ‘808s & Otherworlds’

Lilly Hiatt © Daniel Reyes
Concerts, Music, ReviewsSeptember 14, 2021<September 14, 2021

Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021

Navy © Pretty Boy Worldwide
Columns, Music, Today's SongSeptember 10, 2021<September 10, 2021

Today’s Song: Navy Defies Genre to Touch Our Souls on “Diamonds”

Jade Bird © Colin Lane
Features, Interviews, MusicSeptember 7, 2021<September 7, 2021

Interview: Jade Bird Embraces Survival on Powerful ‘Different Kinds of Light’

Bean on Toast
Books, Music, ReviewsAugust 13, 2021<August 17, 2021

Book Review: Beans on Toast Brings Trademark Humility and Humour to the Page on Foolhardy Folk Tales

The Roots © Dominic Digiorgio
Features, Music, ReviewsJune 24, 2021<October 5, 2021

Back for More: The Roots’ ‘Do You Want More?!!!??!’ Will Last Forever

Holiday Ghosts © Holiday Ghosts 7
Music, Our Take, ReviewsJune 11, 2021<June 11, 2021

Our Take: Holiday Ghosts Capture Our Times with a Little Help From the Past on ‘North Street Air’

Evan Greer - Spotify is Surveillance
Features, Interviews, MusicJune 10, 2021<June 10, 2021

Interview: Evan Greer Reimagines the World on ‘Spotify Is Surveillance’

Evan Greer © Kayana Szymczak
Columns, Music, Today's SongMay 12, 2021<May 12, 2021

Today’s Song: Evan Greer Issues Call to Arms on Powerful “The Tyranny of Either/Or”

Parallel World - Cadence Weapon
Features, Interviews, MusicApril 30, 2021<October 5, 2021

Interview: Exploring Toronto Rapper Cadence Weapon’s ‘Parallel World’

Rexx Life Raj © Yazid Johnson
Features, Interviews, MusicApril 27, 2021<April 28, 2021

Interview: Rexx Life Raj Balances the Good and the Bad on “Built for Everything”

Alostmen live © Abass Ismail. 8.8
Debut, Music, Our Take, ReviewsMarch 29, 2021<March 2, 2025

Our Take: Alostmen Use Old Instruments to Create a New Sound on ‘Kologo’

Genesis Owusu © Daniela-Federici
Debut, Features, Interviews, MusicMarch 19, 2021<March 28, 2021

Interview: Genesis Owusu Tackles Racism & Depression on Album of the Year Contending Debut, ‘Smiling with No Teeth’

DijahSB © Marius Jadion
Columns, Music, Today's SongMarch 10, 2021<March 9, 2021

Today’s Song: DijahSB Separates Themselves From the Rest on “By Myself”

The Hold Steady © Adam Parshall
Features, Interviews, MusicFebruary 19, 2021<February 19, 2021

Interview: The Hold Steady Return to Their Swaggering Best on ‘Open Door Policy’

Posts pagination
1 2 3 4 5 … 9

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services