July 18, 2022<July 13, 2022 Sydney Sprague’s “Think Nothing” is a Ferocious Refusal Against Anxieties by Kevin Krein
July 15, 2022<August 1, 2022 Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time by Lilly Eason
July 14, 2022<August 4, 2022 Today’s Song: “Intake” a Selcouth, Fresh Breath of Air in Launder’s New Single by Isabella Le
July 13, 2022<September 29, 2022 Editor’s Picks 71: Chad Price, Rat Tally, CMON CMON, November Ultra, Forest Claudette, & James BKS! by Mitch Mosk
July 12, 2022<July 12, 2022 Self-Sabotage & Liberation: Isaac Dunbar Soars Bold and True on Triumphant “Bleach” by Mitch Mosk
July 11, 2022<July 11, 2022 Today’s Song: Demi Lovato’s “SKIN OF MY TEETH” Rehashes the Past in a New Way by Sam Franzini
July 8, 2022<July 8, 2022 Today’s Song: Matilda Mann Gives Us a Glimpse of “Hell” with Her Newest Single by Sophie Severs
July 6, 2022<July 6, 2022 “The Song or the Story?”: A Pride Month Essay by Eric Bolton by Guest Writer
July 6, 2022<April 30, 2023 Podcast: Tunes & Tumblers’ Century Club Celebrates Stranger Things and a Vecna’s Web (ft. Ruby Sparks) by Atwood Magazine Staff
July 6, 2022<July 5, 2022 Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident by Sophie Severs
July 5, 2022<July 5, 2022 A Casual Ramble: Summer, the California Sound, and French Cassettes’ ‘Rolodex’ by Ben Niesen
July 5, 2022<July 8, 2022 “Art Reflects the World Around the Artist”: A Pride Month Essay by Matilda Bond by Guest Writer
July 5, 2022<July 4, 2022 Today’s Song: Fab the Duo’s Resonant, Ambitious Alt-Rock Anthem “Chill Pill” by Joe Beer
July 1, 2022<July 1, 2022 Atwood Magazine’s Weekly Roundup: Songs of Protest & Empowerment by Atwood Magazine Staff
For the Love of Music
For the Love of Music
