May 4, 2021<May 4, 2021 Today’s Song: Los Angeles’ SLUGS Are Colorful and Wild in New Single “I Could Do Better” by Joe Beer
May 4, 2021<May 4, 2021 Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity by Mitch Mosk
May 3, 2021<May 3, 2021 Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action by Mitch Mosk
April 30, 2021<April 29, 2021 Today’s Song: Del Water Gap Turns the Unspoken into Art on “Sorry I Am” by Jason Brillon
April 30, 2021<April 30, 2021 Atwood Magazine’s Weekly Roundup: April 30, 2021 by Atwood Magazine Staff
April 29, 2021<May 4, 2021 “I Have Something to Live For”: A Conversation With Glüme by Adrian Vargas
April 29, 2021<April 29, 2021 AVIV’s “Black Coffee” Is a Call to Reconcile with the Ones You Don’t Want to Lose by Dimitra Gurduiala
April 29, 2021<April 28, 2021 Breaking the Record with Roan Yellowthorn, Part 59: “Stranger” by Guest Writer
April 28, 2021<April 27, 2021 Regi Angelou Illuminates Black Power & Eliminates Complacency on “We, the People” by Ryan Feyre
April 27, 2021<April 27, 2021 Today’s Song: “Roaches Don’t Fly” is The Alchemist in a Bottle by Leo Culp
April 26, 2021<April 27, 2021 Today’s Song: JayWood Looks Back While Moving Ever-Forward on New Single “Some Days” by Sophie Prettyman-Beauchamp
April 23, 2021<April 23, 2021 A Happy Accident? Singer/Songwriter OSTON Heals Herself & Her Fans with “Lie About You” by Emily Frances Algar
April 23, 2021<October 5, 2021 Atwood Magazine’s Weekly Roundup: April 23, 2021 by Atwood Magazine Staff
April 22, 2021<April 22, 2021 Album Premiere: Indie Rockers Blonde Otter Mix Fun with Sadness on Self-Titled Debut by Ethan James
For the Love of Music
For the Love of Music
