March 23, 2022<March 23, 2022 Today’s Song: Little Quirks’ “The Rain” Is an Exhilarating Chant of Freedom & Joy by Mitch Mosk
March 22, 2022<June 17, 2023 Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth” by Oliver Crook
March 18, 2022<March 18, 2022 Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One” by Mitch Mosk
March 17, 2022<March 17, 2022 Today’s Song: Rochester’s Danielle Ponder Channels Resilience & Renewal in Soul-Stirring “So Long” by Mitch Mosk
March 16, 2022<March 16, 2022 “They Sold You Away, and They Sold Me Away”: Singer/Songwriter Amber Lewis’ Hauntingly Beautiful Love Letter, “Clotel” by Mitch Mosk
March 15, 2022<March 15, 2022 Today’s Song: Giift’s Tenderly Acoustic Debut Single “Fed Up” Reckons with Vulnerability & Intimacy by Mitch Mosk
March 14, 2022<March 14, 2022 Today’s Song: Ex-Poets Go Deep with New Single “Bay of Pigs” by Beau Hayhoe
March 11, 2022<March 11, 2022 Interview: Digging Deep with Avi Kaplan & Joy Williams on “All Is Well” by Emily Frances Algar
March 10, 2022<March 10, 2022 Griff Clawson’s Dynamic “Haircut” Is a Song of Heartache & Emotional Split Ends by Mitch Mosk
March 9, 2022<March 9, 2022 Today’s Song: Jacob Aedam & Yung Shōgun Break Out in Psychedelic Spaghetti Western “South Boulevard” by Mitch Mosk
March 8, 2022<March 8, 2022 Today’s Song: ANIQO’s Visceral “Vivre Libre” Basks in a Hard-Won Sense of Freedom & Redemption by Mitch Mosk
March 7, 2022<March 7, 2022 Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying” by Mitch Mosk
March 4, 2022<March 4, 2022 Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance by Mitch Mosk
March 3, 2022<March 3, 2022 Today’s Song: Thehiz Debuts with Epic Underdog Anthem “SUBMARINE” by Mitch Mosk
March 2, 2022<March 31, 2023 Today’s Song: W&W Get Their ’80s Groove on with Futuristic Remix of “Moonlight Shadow” by Josh Weiner
For the Love of Music
For the Love of Music
