April 19, 2024<April 19, 2024 Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down” by Sophie Severs
April 19, 2024<April 19, 2024 “Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie by Mitch Mosk
April 18, 2024<April 20, 2024 Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them by Blake McMillan
April 18, 2024<April 18, 2024 ‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP by Mitch Mosk
April 18, 2024<April 18, 2024 Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP by Mitch Mosk
April 16, 2024<April 16, 2024 ‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP by Mitch Mosk
April 16, 2024<April 16, 2024 “I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ by Mitch Mosk
April 16, 2024<April 16, 2024 “Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy by Marissa DeLeon
April 12, 2024<April 12, 2024 “We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie by Mitch Mosk
April 12, 2024<April 12, 2024 Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’ by Guest Writer
April 12, 2024<April 14, 2024 “I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation by Mitch Mosk
April 11, 2024<April 11, 2024 Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom by Emma Rayder
April 11, 2024<April 11, 2024 “My joy breaks windows”: The Ballroom Thieves Shine Bright on ‘Sundust,’ a Tender Album of Love, Healing, & the Human Experience by Mitch Mosk
April 11, 2024<April 11, 2024 Spitting in the Wind: Dan Campbell Talks Aaron West & The Roaring Twenties’ Third Act, ‘In Lieu of Flowers’ by James Crowley
April 10, 2024<April 10, 2024 Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’ by Jaclyn Kelly
For the Love of Music
For the Love of Music
