February 14, 2024<February 14, 2024 Interview with Fer Franco: An Innovative Guatemalan Composer Finally Claims His ‘Ritos de Paso’ by Josh Weiner
February 13, 2024<February 13, 2024 Intense, Dreamy, & Nostalgic: House of Harm’s ‘Playground’ Is a Dramatic Post-Punk Fun House by Mitch Mosk
February 13, 2024<February 16, 2024 Time and Space: The Process & Perspective Behind Danielle Durack’s ‘Escape Artist’ by Hannah Burns
February 13, 2024<February 20, 2024 “It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’ by Mitch Mosk
February 12, 2024<February 12, 2024 “In the end, you just want to feel something”: New Politics’ Søren Hansen Debuts New Solo Project With “Dream That I Die” by Mitch Mosk
February 9, 2024<February 9, 2024 “I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions by Kelly McCafferty Dorogy
February 8, 2024<February 8, 2024 “Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go by Mitch Mosk
February 8, 2024<February 8, 2024 Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort by Noah Wade
February 8, 2024<February 8, 2024 Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’ by Mitch Mosk
February 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
February 7, 2024<February 7, 2024 “Finding the beauty in all of that struggle”: BAILEN Discuss ‘Tired Hearts,’ a Breathtaking Record of Struggle, Connection, Hope, & Raw Humanity by Mitch Mosk
February 7, 2024<February 7, 2024 “What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self by Kendall Graham
February 6, 2024<February 6, 2024 “Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP by Mitch Mosk
February 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
February 5, 2024<February 5, 2024 Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process by Kendall Graham
For the Love of Music
For the Love of Music
