January 15, 2021<January 29, 2021 Summery Naturalness and the Comfort of Imagination: A Conversation with Buck Meek by Frankie Rose
January 14, 2021<October 5, 2021 Rewriting History with Love and AmarElo: A Conversation with Emicida by Nicole Almeida
10 January 14, 2021<February 5, 2021 Interview: Denai Moore on Artistic Authenticity & Unapologetic Album ‘Modern Dread’ by Mitch Mosk
January 13, 2021<January 13, 2021 A Modern Lay: A Conversation with Slaughter Beach, Dog by James Crowley
January 8, 2021<January 8, 2021 Dance Party in the Night: Jacob Collier on ‘Djesse Vol. 3’, Dimensionality, and Joy by Mariel Fechik
January 7, 2021<January 7, 2021 Interview: Fast Rising Dream Pop Star Lisa Remar Talks “Fell Into” and Her Distinctive Boom Bap Flair by Chloe Robinson
January 7, 2021<January 7, 2021 “Me. You. Healing”: Tom Iansek on the Silence, Space, & Inner Turbulence of #1 Dads’ Stunning ‘Golden Repair’ by Mitch Mosk
January 6, 2021<January 10, 2021 Interview: I Think I Might Be A Bigger Ball of Anxiety Than Jeff Rosenstock by Nick Baron
January 5, 2021<April 22, 2023 Interview: Belle and Sebastian’s ‘What to Look for in Summer’ Brings Live Music to Your Quarantine Cubbie by Ilana Kalish
December 22, 2020<December 22, 2020 Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now by Oliver Crook
December 22, 2020<February 5, 2021 Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs by Atwood Magazine Staff
December 21, 2020<May 14, 2023 Travel, Experimentation, & Collaboration: A Conversation with La Femme by Frankie Rose
December 18, 2020<December 18, 2020 Interview: Osees’ John Dwyer on ‘Metamorphosed’ and Life without Touring in 2020 by Adam Davidson
8.6 December 17, 2020<December 17, 2020 “Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’ by Mitch Mosk
For the Love of Music
For the Love of Music
