March 11, 2020<March 11, 2020 Premiere: Sleepless Nights and Feeling “Down” with Aiko by Nina Schaarschmidt
March 10, 2020<March 10, 2020 Premiere: Hotel Mira’s Visceral Unveiling “Speaking Off the Record” & the Spirit of New Album ‘Perfectionism’ by Mitch Mosk
March 6, 2020<March 6, 2020 Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More by Mitch Mosk
March 4, 2020<March 4, 2020 Premiere: Miro Shot’s Critical “Half of Us” Is a Dark Immersion of Technology by Mitch Mosk
March 3, 2020<March 2, 2020 Premiere: LA’s MOONZz Breaks Free in Hard-Hitting “Runnin'” Music Video by Bethan Harper
March 2, 2020<March 2, 2020 Premiere: Redefining Yourself with Dancing on Tables’ “Not to Need You” by Nina Schaarschmidt
February 27, 2020<February 27, 2020 Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth by Mitch Mosk
February 26, 2020<February 25, 2020 Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals by Bethan Harper
February 25, 2020<February 25, 2020 Premiere: Rose Cousins Enthralls with Scenic & Stirring “The Lullaby (My Oldest Love)” by Luke Pettican
February 19, 2020<February 18, 2020 Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim” by Matthew Dunn
February 17, 2020<February 17, 2020 Premiere: The Political Protest in Emily Afton’s Outspoken “The Veil” by Mitch Mosk
February 17, 2020<February 17, 2020 Premiere: Dreamy Notes of Joy & Sorrow Collide on The Saxophones’ “Forgot My Mantra” by Adrian Vargas
February 12, 2020<February 12, 2020 Premiere: Artist-to-Watch Ryann Emerges with Irresistible, Impassioned Sophomore Single “Drive” by Mitch Mosk
February 12, 2020<February 12, 2020 Premiere: SUMif Gives Us Pop-Synth Heaven with “Collide” by Kelly McCafferty Dorogy
February 11, 2020<February 10, 2020 Premiere: Feeling Like a Fish with Broken Robots’ “Dimes and Quarters” by Mitch Mosk
For the Love of Music
For the Love of Music
