May 3, 2023<June 2, 2023 Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut by Freya Rinaldi
April 19, 2023<April 30, 2023 Bad Bunny Returns to His Gulf Gas Station Roots at Coachella ’23 by Julia Dzurillay
March 29, 2023<April 30, 2023 Lightning in a Bottle: Gracie Abrams, Live from Austin by Kelly McCafferty Dorogy
March 23, 2023<May 11, 2023 Phil Lesh Celebrates 83rd Birthday & 100th Show at Capitol Theatre During Four-Night Run by Max Kalnitz
March 21, 2023<April 30, 2023 Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023! by Freya Rinaldi
February 14, 2023<May 11, 2023 Live Review: Bob Weir & Wolf Bros Wrap Up a Four-Night Run at The Capitol Theatre by Max Kalnitz
December 16, 2022<December 20, 2022 Atwood Magazine’s Best Concerts of 2022! by Atwood Magazine Staff
December 5, 2022<December 5, 2022 Live Review: Palaye Royale’s North American Tour Finale Was All But a ‘Fever Dream’ by Isabella Le
November 23, 2022<November 23, 2022 Live Review: Wolf Alice Close Their North American ’22 Tour in Los Angeles by Nic Nichols
September 29, 2022<March 11, 2023 “It Was the Roar of the Crowd”: My Chemical Romance’s Reunion Tour Hits Home in Newark, NJ by Mitch Mosk
August 31, 2022<August 31, 2022 Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles by Isabella Le
June 20, 2022<June 20, 2022 Veteran Rock Duo The Kills Wow Brooklyn Steel with a Classic Saturday Night Rock Show by Beau Hayhoe
June 2, 2022<June 3, 2022 Live Review: Primus Bring Rush’s ‘A Farewell to Kings’ & Their Own Decades of Hits to Bethlehem by Guest Writer
For the Love of Music
For the Love of Music
