August 12, 2019<January 12, 2023 Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates by Ilana Kalish
August 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
August 8, 2019<August 8, 2019 Chart Hit Analysis: The Enduring Fascination with Lil Nas X’s “Old Town Road” by Francesca Rose
August 6, 2019<August 6, 2019 Premiere: Half Wolf’s “Pretty Lonely” Marks an Impassioned & Ethereal Debut into the Music Scene by Adrian Vargas
August 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
July 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
July 30, 2019<July 30, 2019 Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U” by Mitch Mosk
July 24, 2019<July 24, 2019 This Just In: Post Animal’s Joe Keery Releases Solo Debut as Djo with “Roddy” by Mariel Fechik
July 19, 2019<July 19, 2019 Feature: Riah’s Enchanting Dreams of Loss, Love, and ‘Heartbreak Magic’ by Mitch Mosk
July 17, 2019<July 17, 2019 Premiere: Mother Pearl’s Epic, Vulnerable, and Therapeutic Debut “Father Figures” by Mitch Mosk
July 17, 2019<September 9, 2019 Review: London’s Zola Courtney Debuts with Breathtaking, Heartbroken “Untitled” by Mitch Mosk
July 16, 2019<July 11, 2019 Today’s Song: The Distorted World in Secret Shame’s “Dark” by Danielle Chelosky
July 11, 2019<July 11, 2019 Premiere: The Dark & Stormy Heart of Camp 8’s Debut “Everything” by Mitch Mosk