9 June 14, 2019<September 17, 2021 Our Take: Noah Kahan’s Intimate ‘Busyhead’ Is a Powerfully Moving Debut Album by Mitch Mosk
June 12, 2019<July 3, 2019 EP Premiere: Augustine Debuts with Effervescent, Cinematic ‘Wishful Thinking’ by Mitch Mosk
June 5, 2019<June 5, 2019 Premiere: Podge Dreams Up Something New in Sun-Kissed Debut “Yuka-Peno” by Mitch Mosk
June 3, 2019<June 3, 2019 Premiere: Jack M. Senff Ruminates Gorgeously on Life’s Ripples with Latest Single “Old Days” by Adrian Vargas
May 29, 2019<July 3, 2019 EP Premiere: Jack Gray’s Debut ‘Nights Like This’ Navigates Life with an Open & Honest Lens by Atwood Magazine Staff
May 28, 2019<May 28, 2019 Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them by Oliver Crook
May 24, 2019<May 24, 2019 Trudy and the Romance Provide Jukebox Jams for the 21st Century with Debut Album ‘Sandman’ by Adrian Vargas
May 17, 2019<May 18, 2019 Uncovering ‘Sad People Dancing’: La Bouquet’s Heartbreak, Self-Discovery, and Everything In-Between by Caitlin Ison
May 16, 2019<May 16, 2019 EP Premiere: The Cathartic Therapy of ATUSJI’s Debut ‘SOAPBOX VOL 1’ by Mitch Mosk
May 15, 2019<May 15, 2019 ‘Divinely Uninspired’ and Beautifully Aching: An Interview with Lewis Capaldi by Luke Pettican
May 14, 2019<May 14, 2019 EP Premiere: ‘Lost in the Wild’ of Ireland’s Folk Scene with Mitch McAteer’s Debut by Audrey Steeves
May 10, 2019<May 10, 2019 Premiere: Holdan Debuts Dreamy “Foggy Lake” with Atmospheric Excellence by Mitch Mosk
May 9, 2019<May 9, 2019 Premiere: Cancer, Coping, and Catharsis in Noah Dane’s Stirring Debut “There Goes” by Mitch Mosk
May 7, 2019<May 10, 2019 Album Premiere: Lady Lark Lights Up the Night with ‘Permission’ by Mitch Mosk
May 7, 2019<May 7, 2019 Interview: Believe It or Not, SPINN Inject Sunshine into Therapeutic Indie Pop by Mitch Mosk
For the Love of Music
For the Love of Music
