July 15, 2020<July 10, 2020 Premiere: Nashville’s Tedadore Debuts with the Fun, Sweet, & Restlessly Relatable “Cooped Up” by Mitch Mosk
July 9, 2020<July 6, 2020 Today’s Song: London’s PELA Bring Familiar Comfort on Debut Single “You Got Me” by Luke Pettican
July 9, 2020<July 9, 2020 Review: Clarence James’ Debut ‘Fucked Me Up’ Is DIY Heartbreak at Its Finest by Mitch Mosk
July 8, 2020<July 8, 2020 Track-by-Track: Hazlett Injects Life’s Depths into Stirring, Intimate ‘Thundering Hopes’ EP by Mitch Mosk
July 3, 2020<July 3, 2020 Premiere: Austin Max Debuts with a Tender Heartache in “As Leaders Fail to Lead” by Mitch Mosk
July 3, 2020<July 3, 2020 Feature: London’s Maya Delilah Debuts with Sweet n’ Soulful EP ‘Oh Boy’ by Mitch Mosk
July 2, 2020<July 2, 2020 Premiere: JRM’s Stunning Debut Single Captures Life As a Black Man in “America” by Mitch Mosk
July 2, 2020<July 2, 2020 Artist to Watch: UK’s Charlotte Clark Astonishes with Debut Single “Disarray” by Luke Pettican
July 2, 2020<July 1, 2020 Review: Meadow Meadow’s “Bonzo” & “Fireworks” Make for a Spellbinding Introduction by Mitch Mosk
July 1, 2020<July 1, 2020 Editorial: Leah Capelle’s Debut ‘triptych’ & the Sacrilege of Dismissing Full Length Albums by Guest Writer
June 26, 2020<June 26, 2020 Track-by-Track: Ontario’s BURS Debut with Depth & Vulnerability in Stirring EP ‘Through Windows’ by Mitch Mosk
June 26, 2020<June 26, 2020 Artist to Watch: Charleston’s Beach Tiger Shine Bright on Spirited Debut Album ‘Nostalgia Hot’ by Mitch Mosk
June 26, 2020<July 1, 2020 Feature: Ego Ella May Pours Her Soul Out on Debut Album ‘Honey for Wounds’ by Mitch Mosk
June 25, 2020<August 23, 2020 Premiere: Toronto’s Loviet Shines with Stunning Debut EP ‘Everyone Knows the Thrill When It’s Over’ by Mitch Mosk
June 25, 2020<June 25, 2020 Premiere: “Honest” Marks a Sultry Debut into Music for MEIYI by Adrian Vargas
For the Love of Music
For the Love of Music
