May 7, 2019<May 8, 2019 Interview: LANTA Astonishes with the Poignantly Touching “Worthy” by Luke Pettican
May 2, 2019<November 12, 2020 Premiere: Curli. Makes a Splash in Debut Single “worth” by Lindsay Call
April 30, 2019<April 30, 2019 Premiere: Cosmo Gold’s Swirly, Cosmic Debut “Dark Matter” by Mariel Fechik
April 29, 2019<April 29, 2019 Review: A Lesson in Self-Love, by Lizzo’s ‘Cuz I Love You’ by Frankie Rose
April 19, 2019<April 18, 2019 Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer” by Meredith Nardino
April 18, 2019<April 18, 2019 Premiere: Roken Basks in Sweet Seclusion on Debut “Comfortable” by Mitch Mosk
April 16, 2019<April 16, 2019 EP Review: Love Is in the Air, and Damon Mitchell’s ‘Elise’ Catches Every Whiff by Carolyn Fasone
April 15, 2019<April 12, 2019 Today’s Song: Fieh Bewitch with the Ingeniously Inventive “25” by Luke Pettican
April 12, 2019<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘When We All Fall Asleep, Where Do We Go?’ by Atwood Magazine Staff
April 10, 2019<April 30, 2019 Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’ by Oliver Crook
April 10, 2019<April 11, 2019 Premiere: Feed Your Ego With DRÄGER’s Hypnotic Debut “Psycho Narcissistic Paranoia” by Nick Baron
April 5, 2019<April 8, 2019 Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff by Mitch Mosk
For the Love of Music
For the Love of Music
