May 20, 2024<May 20, 2024 Track-by-Track: NYC Singer/Songwriter Arsun Delivers a Timeless, Instant Classic With Debut ‘Babe I Hear Thunder in Your Heart’ by Mitch Mosk
May 20, 2024<May 20, 2024 Track-by-Track: England’s TYDL Radiate with Empowerment in ‘Ethereal’ EP by Joe Beer
May 17, 2024<May 17, 2024 “Can We Pause Right Here?”: Friday Pilots Club Discuss Compromise, Criminal Careers, & Their Debut Album ‘Nowhere’ by Emma Rayder
May 17, 2024<May 17, 2024 Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’ by Mitch Mosk
May 14, 2024<May 14, 2024 “An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing by Mitch Mosk
May 9, 2024<May 9, 2024 “Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection by Mitch Mosk
May 9, 2024<May 9, 2024 Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind by Mitch Mosk
May 8, 2024<May 8, 2024 “Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album by Mitch Mosk
May 8, 2024<May 8, 2024 “Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth by Mitch Mosk
May 8, 2024<May 8, 2024 Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’ by Oliver Crook
May 7, 2024<May 7, 2024 “Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut by Mitch Mosk
May 6, 2024<May 6, 2024 ‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP by Mitch Mosk
May 6, 2024<May 6, 2024 “Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity by Mitch Mosk
May 3, 2024<May 3, 2024 “Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut by Jake Fewx
May 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
For the Love of Music
For the Love of Music
