September 26, 2023<September 26, 2023 Live Review: Reneé Rapp Proves the Hype Is Right on ‘Snow Hard Feelings’ Tour, Night 1 by Kelly McCafferty Dorogy
September 25, 2023<September 25, 2023 Today’s Song: Faye Webster Matures With Romantic New Single “Lifetime” by Julia Dzurillay
September 25, 2023<September 25, 2023 “Bittersweet, but Beautiful”: nobody likes you pat Sings Six Letters to Loved Ones in ‘dear…’ EP by Mitch Mosk
September 25, 2023<October 23, 2024 Feature: Soda Blonde ‘Dream Big’ and Win Big on Ambitious, Empowered, & Liberating Sophomore Album by Mitch Mosk
September 24, 2023<September 24, 2023 Why the Message of Tupac Shakur’s “Keep Ya Head Up” Still Resonates with Us, 30 Years After Its Release by Jada Moore
September 23, 2023<September 23, 2023 Today’s Song: Miami’s stillblue Assert That Love Exists With “Wait for Me” by Laurent Chavannes
September 22, 2023<September 22, 2023 The Friendly Fire and Smoldering Seduction of Glassio & Beauty Queen’s “A Friend Like You” by Mitch Mosk
September 22, 2023<September 24, 2023 Unpolished, Melodic, & Introverted: semiwestern’s Self-Titled Debut Is a Dusty, Lo-Fi Seduction by Mitch Mosk
September 22, 2023<September 22, 2023 Track-by-Track: Abby Holliday’s ‘I’M OK NO I’M NOT (Deluxe Edition)’ Is an Intimate & Cinematic Expansion by Mitch Mosk
September 22, 2023<September 22, 2023 Atwood Magazine’s Weekly Roundup: September 22, 2023 by Atwood Magazine Staff
September 21, 2023<September 21, 2023 Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.” by Brianna Corrine
September 21, 2023<September 21, 2023 Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love by Mitch Mosk
September 21, 2023<September 21, 2023 Interview: Me Nd Adam Discuss Their Insightful New Album ‘American Drip, Pt. II’ by Chloe Robinson
September 21, 2023<September 21, 2023 Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back by Audrey Connelly
September 21, 2023<September 21, 2023 Premiere: Maiah Wynne’s Smile-Inducing “Drive Me Mad” Is a Ray of Folk-Pop Sunshine by Mitch Mosk
For the Love of Music
For the Love of Music
