February 3, 2026<February 7, 2026 “I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart by Mitch Mosk
February 3, 2026<February 2, 2026 Snail Mail’s “Dead End” Makes Heartbreak a Bit More Bearable by Julia Dzurillay
February 2, 2026<February 2, 2026 “Don’t turn my death into a performance”: Indiana’s justbrandon on Legacy, Intention, & Living Honestly on “Bury Me on a Backroad” by Chloe Robinson
February 2, 2026<February 2, 2026 The Sacred and the Self: Sydney Ross Mitchell on Faith, Freedom, and Finding Her Voice With ‘Cynthia’ by Nicolle Knapová
February 2, 2026<February 2, 2026 “I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale by Mitch Mosk
February 1, 2026<February 1, 2026 Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories by Rachel Leong
January 31, 2026<January 31, 2026 Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” by Nicolle Knapová
January 30, 2026<January 30, 2026 Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! by Mitch Mosk
January 30, 2026<January 30, 2026 “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” by Aileen Goos
January 30, 2026<January 29, 2026 “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History by Atwood Magazine Staff
January 29, 2026<January 29, 2026 Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens by Guest Writer
January 29, 2026<January 29, 2026 “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” by Mitch Mosk
January 29, 2026<January 29, 2026 “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home by Mitch Mosk
January 28, 2026<January 28, 2026 “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ by Mitch Mosk
January 28, 2026<January 28, 2026 “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album by Mitch Mosk
For the Love of Music
For the Love of Music
