April 7, 2022<April 6, 2022 Album Premiere: VanWyck Dives into Her Rich, Ambitious, & Mysterious ‘The Epic Tale of the Stranded Man’ by Mitch Mosk
April 7, 2022<March 11, 2024 Breaking Down Barriers in Country Music: Caitlyn Smith on Self-Producing New Album ‘High’ & Why Country Music Needs More Women Producers by Emily Frances Algar
April 6, 2022<April 6, 2022 Today’s Song: Gary O’Neill’s Beautifully Bittersweet “Petals” Aches with Love & Longing by Mitch Mosk
April 6, 2022<April 14, 2022 “Warts and All”: Brooklyn’s almost sex Shine an Intimate & Raw Indie Folk Light on Debut EP ‘We’re Okay’ by Mitch Mosk
April 6, 2022<April 7, 2022 Album Premiere: Maddox Jones Soars on His Epic, Emotive, & Joyful Debut Album ‘Believe It’ by Mitch Mosk
April 6, 2022<April 6, 2022 Premiere: Dancing the Days Away with Dekker’s Grooving “Let’s Pretend” by Mitch Mosk
April 5, 2022<September 29, 2022 “Alchemy in Dance”: Inside Foxes’ Bold, Impassioned, & Irresistible 3rd Album ‘The Kick’ by Mitch Mosk
April 5, 2022<April 5, 2022 Today’s Song: Glasgow’s Velvet Shake, Rattle, Rock N’ Roll on Electrifying 3rd Single “I Prefer You (In My Head)” by Mitch Mosk
April 5, 2022<April 5, 2022 Premiere: Dance Along to Jelly Oshen’s Soulful Quarantine Groove “Bordalonely” by Mitch Mosk
April 5, 2022<July 9, 2022 Interview: Quelle Rox’s ‘coffee & a cig’ EP Reminds Us We Need More Powerful Latina Women in Music by Dimitra Gurduiala
April 4, 2022<April 4, 2022 “Heartfelt, Vulnerable, & Optimistic”: Jessie Reid Stirs & Stuns on Intimate Mini-Album ‘Other Hand’ by Mitch Mosk
April 4, 2022<April 4, 2022 “The Colliding Worlds of Sexuality & Spirituality”: Ben Abraham Dives Inside His Stunning Sophomore LP, ‘Friendly Fire’ by Mitch Mosk
April 4, 2022<September 29, 2022 Antithesis par Excellence: Parcels Speak About Their Seismic Record ‘Day/Night’ by Nina Schaarschmidt
For the Love of Music
For the Love of Music
