May 25, 2022<May 25, 2022 Premiere: Bathe Alone’s Urgent & Inspiring “Animals & Trees” Is an Impassioned Dream Pop Upheaval by Mitch Mosk
May 25, 2022<May 25, 2022 Today’s Song: NoSo’s Intimate Rebirth “Parasites” Is a Beautiful, Spiritual Celebration by Mitch Mosk
May 24, 2022<September 29, 2022 “Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’ by Mitch Mosk
May 24, 2022<May 26, 2022 Finding Stillness in Turmoil: The Adventure & Emotion of MYRNE’s Soothing ‘Circles’ EP by Mitch Mosk
May 24, 2022<May 24, 2022 Today’s Song: The Darcys’ “Washed Away” Is an Anthemic Reckoning with the Music Industry’s Constant Pressures by Mitch Mosk
May 23, 2022<May 23, 2022 Premiere: Singer/Songwriter Andrew Combs Finds Grace with “(God)less” by Kelly McCafferty Dorogy
May 23, 2022<May 23, 2022 A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’ by Joe Beer
May 20, 2022<January 30, 2024 “Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’ by Nasim Elyasi
May 20, 2022<May 23, 2022 “Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP by Mitch Mosk
May 20, 2022<May 20, 2022 Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity by Lilly Eason
May 19, 2022<May 19, 2022 Embracing ‘What Happiness Is’: Indie Folk Trio Trousdale Shine on Truthful, Vulnerable, Optimistic Sophomore EP by Mitch Mosk
May 19, 2022<May 19, 2022 “Lost & Searching, Small & Destructive”: The Unbearable, Hopeless Beauty of Seafarers’ Sophomore Album ‘II’ by Mitch Mosk
May 19, 2022<May 19, 2022 “Jaws Underneath Your Feet”: A Conversation with Bloc Party’s Kele Okereke by Ben Niesen
For the Love of Music
For the Love of Music
