7.7 October 8, 2020<December 15, 2020 Album Review: Field Medic Grows Up on ‘Floral Prince’ by Ethan Shanfeld
October 8, 2020<October 8, 2020 Interview with Godford: An Elusive Rave Artist Takes Us on a Tour of ‘Non-Binary Place’ in Debut Album by Josh Weiner
October 8, 2020<November 15, 2020 Premiere: Fort Worth’s The Foxymorons Unveil Their Tender & Intimate “Uma Thurman” by Mitch Mosk
October 8, 2020<May 10, 2023 Today’s Song: LA Priest Looks for Answers From Within on “What Moves” by Adam Davidson
October 8, 2020<October 6, 2020 Breaking the Record with Roan Yellowthorn, Part 35: Photographs by Guest Writer
October 8, 2020<October 7, 2020 Premiere: New Zealand’s Terrible Sons Shimmer & Shine on “You Are the Gold” by Mitch Mosk
October 7, 2020<October 7, 2020 Curious, Honest, & Youthful: Eve Owen Dives into Her Breathtaking Debut Album ‘Don’t Let the Ink Dry’ by Mitch Mosk
October 7, 2020<October 7, 2020 Track-by-Track: Bear’s Den & Paul Frith Dive into the Depths of ‘Fragments’ by Mitch Mosk
October 7, 2020<October 7, 2020 Track-by-Track: Gold Coast’s DVNA Compels with Intimate & Alluring Debut EP ‘All My Friends’ by Mitch Mosk
October 7, 2020<October 5, 2020 Interview: French Songstress Marina Kaye Shares Her “Double Life” & “7 Billion” Off ‘Twisted’ New Album by Ben Beamish
October 7, 2020<October 6, 2020 EP Premiere: Leila Sunier Reflects on ‘Where Everything Is [Not Quite] Perfect’ by Lowndes Commander
October 7, 2020<October 6, 2020 Interview: A Glimpse into the Making of Jake Luppen’s Dynamic Self-Titled Pop Debut, ‘Lupin’ by Lowndes Commander
October 7, 2020<October 7, 2020 Today’s Song: IAN SWEET Masters the Blade on “Sword” by Sophie Prettyman-Beauchamp
October 6, 2020<October 6, 2020 Premiere: Derek Simpson’s Crafts a Playful Surrender on “Naked Forever” by Anthony Kozlowski
October 6, 2020<October 6, 2020 Interview: Vacation Manor Gets Vulnerable With ‘Thoughts In Progress, Pt. 1’ by Madison Vettorino