November 6, 2024<November 7, 2024 Atwood Magazine’s Weekly Roundup: November 6, 2024 by Atwood Magazine Staff
November 5, 2024<November 5, 2024 “Anxious, Intense, & Fragile”: deary’s Dream Pop Universe Evolves and Expands With ‘Aurelia’ EP by Mitch Mosk
November 5, 2024<November 5, 2024 “Fresh, Funky, & Flirtatious”: Fox Jackson Is a True Romantic in ‘So Divine’ by Joe Beer
November 5, 2024<November 5, 2024 Today’s Song: Declan Welsh and the Decadent West’s Feverish Anti-War Protest Anthem, “Inaction” by Mitch Mosk
November 4, 2024<November 4, 2024 Sounds From the Ground: The Theatreship, London, 12 October 2024 by Frederick Bloy
November 4, 2024<November 4, 2024 Charli xcx Closes Out the Brat Era With the Nuanced ‘Brat and it’s completely different but also still brat’ by Marc Maleri
November 4, 2024<November 4, 2024 Live Review: K-Pop Powerhouse Group SEVENTEEN Take Over San Antonio As Part of Their World Tour by Freya Rinaldi
November 4, 2024<November 4, 2024 Interview: Adam Paddock Is in a Lifelong Pursuit of Excellency by Noah Wade
November 4, 2024<November 2, 2024 The Beautiful, Brutal Ache of Sarah Klang & Fruit Bats’ Love Song, “Last Forever” by Mitch Mosk
November 3, 2024<November 1, 2024 Today’s Song: Friedberg’s “Hardcore Workout Queen” Is a Seductive & Cinematic Indie Pop Fever Dream by Mitch Mosk
November 2, 2024<November 1, 2024 Tom A. Smith’s Emotionally Charged Masterpiece, “I Don’t Want You to Have to Remember Me for Longer Than You Ever Knew Me” (ft. swim school) by Mitch Mosk
November 1, 2024<November 1, 2024 “Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money” by Mitch Mosk
November 1, 2024<November 2, 2024 “Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album by Mitch Mosk
November 1, 2024<November 1, 2024 “Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut by Mitch Mosk
November 1, 2024<November 1, 2024 “I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’ by Mitch Mosk
For the Love of Music
For the Love of Music
