January 28, 2026<January 28, 2026 “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too by Mitch Mosk
January 27, 2026<January 27, 2026 “Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It by Mitch Mosk
January 27, 2026<January 27, 2026 “Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” by Joe Beer
January 26, 2026<January 26, 2026 From School Corridors to Iconic Venues: Arkayla’s Takeover of Manchester’s Music Scene by Aileen Goos
January 26, 2026<January 26, 2026 “The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream by Mitch Mosk
January 24, 2026<January 24, 2026 Self Proclaimed Narcissist’s “New Man” Shines Through the Mystery by Danielle Holian
January 23, 2026<January 23, 2026 “Things Are Moving All Around Me”: Henry Grace Lets the Songs Breathe on His Warm & Weathered Sophomore Album by Mitch Mosk
January 23, 2026<January 23, 2026 Atwood Magazine’s Weekly Roundup: January 23, 2026 by Atwood Magazine Staff
January 23, 2026<January 22, 2026 “Letting Go of Nothing”: The Format Give Us Something to Believe in on “Boycott Heaven,” an Indie Rock Anthem for a Broken Present by Mitch Mosk
January 22, 2026<January 22, 2026 Editor’s Picks 144: The Format, Elijah Wolf, mer marcum & Jia*, Samm Henshaw, Katie Tupper, & Yumi Zouma! by Mitch Mosk
January 22, 2026<January 22, 2026 “I Won’t Have 20teens in My Bed”: Blessing Jolie Chooses Herself and Draws Hard Lines on Breakout Hit “20teens” by Mitch Mosk
January 22, 2026<January 22, 2026 “I’ll Make It Loud So You Can Hear”: Jasmine Power Takes a Bold, Radiant “Leap” of Faith on Her Invigorating New Single by Mitch Mosk
January 22, 2026<January 23, 2026 “Mysterious and Wild”: Morenike Slips into the Night on Her Seductive Second Single, a Spellbinding Descent into Desire, Illusion, & Becoming by Mitch Mosk
January 21, 2026<January 21, 2026 “That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’ by Mitch Mosk
For the Love of Music
For the Love of Music
