October 30, 2019<October 30, 2019 Premiere: UK Singer/Songwriter Winnie Raeder Stuns with “She” by Luke Pettican
October 30, 2019<October 30, 2019 Today’s Song: JP Saxe & Julia Michaels Mesmerize with “If The World Was Ending” by Luke Pettican
October 29, 2019<October 29, 2019 Premiere: Mail the Horse’s Bluesy “Kid Gloves” Is a Mantra on Toxic Masculinity by Mitch Mosk
October 29, 2019<October 29, 2019 Premiere: Lenkie Embraces Unrequited Love in Second Single “Waterfall” by Mitch Mosk
October 29, 2019<October 29, 2019 Premiere: Scott Ruth’s ‘Telephone’ EP Is Intimate Rock with a Heart of Gold by Mitch Mosk
October 29, 2019<April 30, 2023 Podcast: Tunes & Tumblers Celebrate a Gothic Halloween with Bauhaus by Anthony Kozlowski
October 29, 2019<October 29, 2019 Today’s Song: Cailin Russo Atones on “Declaration” by Nicole Almeida
October 28, 2019<October 28, 2019 Premiere: Bubblegum Pop Reigns in Fascinations Grand Chorus’ Debut Album ‘Presentations of Electrical Confectionery’ by Mitch Mosk
October 28, 2019<October 28, 2019 Live Review: Shura Transports Philly’s Johnny Brenda’s into the World of Forevher by Nicole Almeida
October 28, 2019<October 28, 2019 Review: beabadoobee Breaks Bedroom Pop Bubble on Grunge-Inspired EP ‘Space Cadet’ by Harper Beattie
October 28, 2019<October 28, 2019 Real Songs, Real Talk, and Real People: A Conversation with MisterWives by Kelly McCafferty Dorogy
October 28, 2019<October 28, 2019 Today’s Song: Opia Make Cynicism Sound Sexy with “Beverly Blues” by Anthony Kozlowski
October 25, 2019<October 25, 2019 Review: Blaenavon’s Chaotically Human and Gorgeous ‘Everything That Makes You Happy’ by Nicole Almeida
October 25, 2019<October 25, 2019 The Good, The Bad, and Everything in Between: A Conversation with Hanorah by Nicole Almeida
For the Love of Music
For the Love of Music
