February 7, 2019<February 7, 2019 Video Premiere: “Bridges” Is the Artistic Embodiment of JOHNNYSWIM by Kelly McCafferty Dorogy
February 6, 2019<February 6, 2019 Premiere: The Haunting Warmth of Clara Baker’s “Middle of the Night” by Mitch Mosk
February 6, 2019<February 6, 2019 Album Premiere: Minor Moon’s ‘An Opening’ Is a Stunning Plea for Hope During Tumultuous Times by Oliver Crook
February 6, 2019<February 6, 2019 Premiere: Jackie Charles Ponder the Past with “Time Travel” by Luke Pettican
February 5, 2019<February 5, 2019 Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic by Mitch Mosk
February 4, 2019<February 4, 2019 Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day” by Mitch Mosk
February 4, 2019<February 4, 2019 Premiere: Loose Wing’s “Beverly” Captures Emotional Distress with Poignant Grace by Mitch Mosk
February 1, 2019<February 1, 2019 Premiere: Breaking the Cycle of Abuse with Sophia Danai’s “Daughter” by Mitch Mosk
February 1, 2019<February 1, 2019 Premiere: “The Ground,” Like Swimming’s Emotional Explanation of White Privilege by Mitch Mosk
February 1, 2019<February 1, 2019 Premiere: KOPPS and the Unattainable Presence from Our “Virtual Reality” by Caitlin Ison
January 31, 2019<January 31, 2019 Premiere: Introducing “The Wild & the Untamed” Folk Troubadour Ian George by Mitch Mosk
January 31, 2019<January 31, 2019 Premiere: Heartbreak & Longing in Dancing on Tables’ Breakup Ballad “Black” by Mitch Mosk
January 30, 2019<March 12, 2026 Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray” by Mitch Mosk
January 30, 2019<February 19, 2019 Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still” by Mitch Mosk
January 29, 2019<January 29, 2019 Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number” by Mitch Mosk
For the Love of Music
For the Love of Music
