June 18, 2024<June 29, 2024 Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion by Atwood Magazine Staff
June 18, 2024<June 18, 2024 Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’ by Oliver Crook
June 18, 2024<June 18, 2024 Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It by Rachel Leong
June 13, 2024<June 13, 2024 Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit by Grace Holtzclaw
June 13, 2024<June 13, 2024 Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024 by Michael Greco
June 12, 2024<June 12, 2024 Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’ by Marissa DeLeon
June 11, 2024<June 11, 2024 ‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics by Liv Goodbody
June 10, 2024<June 11, 2024 Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival by Julia Dzurillay
June 10, 2024<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’ by Atwood Magazine Staff
June 10, 2024<June 11, 2024 Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single by Julia Dzurillay
June 7, 2024<June 7, 2024 Review: One Step Closer Deliver a Ferocious Coming-of-Age Record With ‘All You Embrace’ by James Crowley
June 6, 2024<June 6, 2024 Full Service: Boston Called, and Chappell Roan Picked Up the Phone by Hannah Burns
June 5, 2024<June 5, 2024 Live Review: Lizzy McAlpine Brings ‘Older’ to Life at The Greek Theatre in LA by Kelly McCafferty Dorogy
June 3, 2024<June 3, 2024 Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’ by Kevin Krein
May 24, 2024<May 24, 2024 Live Review: AJR Strike Ears, Eyes, & Hearts on the “Maybe Man” Tour in San Diego by Isabella Le