April 10, 2019<April 10, 2019 Premiere: Luke Sital-Singh’s “Raise Well” Radiates Hope & Love in a Golden State of Mind by Mitch Mosk
April 5, 2019<April 8, 2019 Review: The Prescriptions’ Debut ‘Hollywood Gold’ Is a Raw Dose of the Good Stuff by Mitch Mosk
April 5, 2019<April 5, 2019 The Long-Awaited Return of Foals: A Band Who Only Get Better with Age by Hermione Kellow
April 4, 2019<April 4, 2019 Track-by-Track: The Intimate Seduction of CLAVVS’ ‘No Saviors’ EP by Mitch Mosk
April 4, 2019<April 4, 2019 Track-by-Track: Sego Crush Expectations with Sophomore LP ‘Sego Sucks’ by Coco Rich
April 4, 2019<April 4, 2019 EP Review: Take It Easy with Patrick Ames’ ‘All I Do Is Bleed’ by Carolyn Fasone
April 4, 2019<April 4, 2019 Catfish and the Bottlemen’s “Tyrants” Will Always Be the Perfect Closing Song by Monica Mellon
March 29, 2019<March 29, 2019 Feature: The Weird Years Dive into Their Self-Titled Masterpiece by Mitch Mosk
March 29, 2019<March 29, 2019 This Just In: Lauren Aquilina Strips It Back with “Tobacco in My Sheets” by Alicia Bugallo
March 27, 2019<March 27, 2019 Our Take: Danger Mouse and Karen O Light the Spark in ‘Lux Prima’ by Ben Niesen
March 26, 2019<March 26, 2019 Pelle Kuipers Charms Us with Deeply Resonant “My Darling” by Ilana Kalish
March 22, 2019<March 23, 2019 Feature: The Pressure Kids Let Loose in Raw, Radiant Debut EP by Mitch Mosk
March 22, 2019<March 22, 2019 Our Take: Snarky Puppy’s ‘Immigrance’ Is a Slow-Burn Opus by Danny Vagnoni
March 22, 2019<March 22, 2019 Review: Kevin Garrett Enchants with Memorable & Affecting Debut ‘Hoax’ by Luke Pettican
For the Love of Music
For the Love of Music
