November 12, 2020<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘Positions’ by Atwood Magazine Staff
November 12, 2020<November 12, 2020 Track-by-Track: Melbourne Trio Woodlock Embrace Struggle & Growth on ‘Collateral’ EP by Mitch Mosk
November 12, 2020<November 12, 2020 Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’ by Jordan Catagnus
November 11, 2020<November 11, 2020 Review: Adrianne Lenker’s Stunning Double Album ‘songs’ & ‘instrumentals’ by Mariel Fechik
November 11, 2020<November 10, 2020 Chicago’s Glded Weaves Wistful & Reflective Folktronica Through “Paine” & ‘Moraine’ EP by Mitch Mosk
November 5, 2020<November 5, 2020 Review: Gabriel Garzón-Montano’s Eclectic and Colorful Sophomore Effort, ‘Agüita’ by Mariel Fechik
7.5 November 4, 2020<December 15, 2020 Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’ by Josh Weiner
October 30, 2020<October 30, 2020 American Human Nature: Wallace Tallman’s Timely & Timeless EP Captures a Fractured Nation in Need of Healing by Mitch Mosk
October 30, 2020<October 30, 2020 Track-by-Track: Miloe’s ‘Greenhouse’ EP Dwells in a Sweet Summer Bliss by Mitch Mosk
8 October 29, 2020<December 15, 2020 Our Take: ‘What You Gonna Do When The Grid Goes Down?’ Is a Late-Career Triumph for Public Enemy by Josh Weiner
October 29, 2020<October 29, 2020 Identity, Reflection, & Depth: Nana Adjoa Dives into Debut Album ‘Big Dreaming Ants’ by Mitch Mosk
October 29, 2020<October 29, 2020 Johnnyswim’s “Live from the Backyard” Is the Best Live Show You Didn’t Know You Needed by Kelly McCafferty Dorogy
October 28, 2020<November 2, 2020 Questioning, Urging, Hoping: GRANT Rises High in Effervescent ‘Vertigo’ EP by Mitch Mosk
October 27, 2020<October 27, 2020 Guts, Guitars, & Love: The Elwins Dive Track-by-Track into Visceral Album ‘IV’ by Mitch Mosk
October 26, 2020<October 26, 2020 Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels by Mitch Mosk
For the Love of Music
For the Love of Music
