April 25, 2024<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ by Atwood Magazine Staff
April 25, 2024<April 25, 2024 New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down” by Chloe Robinson
April 25, 2024<April 24, 2024 Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse by Mitch Mosk
8.7 April 24, 2024<April 24, 2024 “We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’ by Christine Buckley
April 24, 2024<April 24, 2024 Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims by Dimitra Gurduiala
April 23, 2024<April 23, 2024 Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm by Minna Abdel-Gawad
April 22, 2024<June 29, 2024 Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’ by Atwood Magazine Staff
8.1 April 19, 2024<April 19, 2024 Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” by Julia Dzurillay
April 15, 2024<April 15, 2024 “A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers by Noah Berghammer
April 15, 2024<June 29, 2024 Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ by Atwood Magazine Staff
April 12, 2024<April 12, 2024 Live: Goose Celebrate Solar Eclipse by Playing ‘Moon Cabin’ in Its Entirety by Max Kalnitz
April 11, 2024<April 11, 2024 “Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty by Mitch Mosk
6.4 April 10, 2024<April 10, 2024 Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country by Sam Franzini
April 10, 2024<April 10, 2024 “What do you think about when you think about love?”: Glass Animals Are Here, in the Moment, on “Creatures in Heaven” by Mitch Mosk
April 5, 2024<April 5, 2024 “To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album by Madeleine Eggen