June 13, 2024<June 13, 2024 Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024 by Michael Greco
June 12, 2024<June 12, 2024 Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’ by Marissa DeLeon
June 11, 2024<June 11, 2024 ‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics by Liv Goodbody
June 10, 2024<June 11, 2024 Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival by Julia Dzurillay
June 10, 2024<June 29, 2024 Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’ by Atwood Magazine Staff
June 10, 2024<June 11, 2024 Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single by Julia Dzurillay
June 7, 2024<June 7, 2024 Review: One Step Closer Deliver a Ferocious Coming-of-Age Record With ‘All You Embrace’ by James Crowley
June 6, 2024<June 6, 2024 Full Service: Boston Called, and Chappell Roan Picked Up the Phone by Hannah Burns
June 5, 2024<June 5, 2024 Live Review: Lizzy McAlpine Brings ‘Older’ to Life at The Greek Theatre in LA by Kelly McCafferty Dorogy
June 3, 2024<June 3, 2024 Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’ by Kevin Krein
May 24, 2024<May 24, 2024 Live Review: AJR Strike Ears, Eyes, & Hearts on the “Maybe Man” Tour in San Diego by Isabella Le
May 23, 2024<May 23, 2024 “A Garage Rock Record That’s Definitely Not a Garage Rock Record”: Twisted Teens Explore Masculinity, Spirituality, & Sexuality on Their Energetic Debut Release by Guest Writer
9.4 May 22, 2024<May 22, 2024 Our Take: Country Music’s Next Big Artist, Laci Kaye Booth, Wows on Debut Album ‘The Loneliest Girl in the World’ by Emily Frances Algar
May 20, 2024<May 20, 2024 Track-by-Track: England’s TYDL Radiate with Empowerment in ‘Ethereal’ EP by Joe Beer
May 20, 2024<May 20, 2024 Review: Pussy Riot’s ‘DARK MATTER’ Series Is an Uncompromising, Exasperated Examination of Authoritarianism & Our Role in Enacting Change by Julia Dzurillay
For the Love of Music
For the Love of Music
