May 7, 2020<May 7, 2020 Feature: Deau Eyes’ Dazzling Debut ‘Let It Leave’ Is Honest & Raw Indie Rock Passion by Mitch Mosk
May 6, 2020<May 6, 2020 This Just In: Cold War Kids and The Lumineers Join Forces to Inspire & Empower on “1 x 1” by Mitch Mosk
May 5, 2020<May 5, 2020 Feature: Eliza Edens’ Debut ‘Time Away From Time’ Is an Intimate Alt-Folk Oasis by Mitch Mosk
May 5, 2020<June 29, 2024 Roundtable Discussion: A Review of Fiona Apple’s ‘Fetch the Bolt Cutters’ by Atwood Magazine Staff
8 May 4, 2020<December 15, 2020 Our Take: Diners’ New Album ‘Leisure World’ Is Exactly What It Sounds Like by Nick Matthopoulos
9 May 1, 2020<December 15, 2020 Track-by-Track: A Stroll Through Sara Davis Regan’s ‘Riverland’ by Lowndes Commander
May 1, 2020<May 26, 2020 This Just In: Sir Sly’s “All Your Love” Is a Deep Breath of Hallelujah by Mitch Mosk
May 1, 2020<August 7, 2020 This Just In: Glass Animals’ “Dreamland” Is a Woozy Trip Down Memory Lane by Mitch Mosk
April 30, 2020<April 30, 2020 Interview: Austin’s Ley Line Remind Us to “Slow Down” with a Dreamy, Uplifting Folk Song by Mitch Mosk
April 30, 2020<May 1, 2020 Premiere: “Devoted” Marks a Much Welcomed Return for Atta Boy by Adrian Vargas
April 30, 2020<May 3, 2020 Larkins Break Down Brave Faces & Get Real About Modern Life on “Are We Having Any Fun Yet?” by Bethan Harper
April 29, 2020<April 29, 2020 Review: North London’s Surya Sen Releases Unique Debut Single “C U Later” by Guest Writer
April 28, 2020<April 28, 2020 Track-by-Track: The Bergamot Dive into the Depths of ‘Mayflies’, an Album Full of Passion, Space, & Depth by Mitch Mosk
April 27, 2020<April 28, 2020 Feature: London’s Night Flight Soar with Majestic Energy in ‘White Noise’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
