May 13, 2024<May 13, 2024 Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside by Hamish Monk
May 13, 2024<May 13, 2024 Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London by Rachel Leong
May 10, 2024<May 10, 2024 ‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP by Danielle Furman
9.2 May 9, 2024<May 9, 2024 Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’ by Josh Weiner
May 8, 2024<May 8, 2024 STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level by Guest Writer
May 8, 2024<May 8, 2024 Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot by Emma Rayder
May 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
May 6, 2024<May 5, 2024 “If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament by Mitch Mosk
May 5, 2024<May 5, 2024 “I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale by Mitch Mosk
May 4, 2024<May 4, 2024 Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight by Noah Wade
May 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
May 3, 2024<May 3, 2024 This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static” by Emily Frances Algar
May 1, 2024<May 1, 2024 Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’ by Grace Holtzclaw
April 30, 2024<April 30, 2024 Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’ by Jake Fewx
For the Love of Music
For the Love of Music
