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Leslie Mendelson © Mary Ellen Matthews
Music, PremieresMay 2, 2024<May 2, 2024

“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love

by Mitch Mosk
Brie Stoner © Mark Andrus
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024

“An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’

by Mitch Mosk
Large Brush Collection © Syd Fuller
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024

Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk

by Mitch Mosk
Frank Turner © Shannon Shumaker
Features, Interviews, MusicMay 2, 2024<May 2, 2024

“It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album

by Michael Greco
Kendra Celise "Don’t Look Away" © 2024
MusicMay 1, 2024<June 9, 2024

Today’s Song: Kendra Celise Holds a Fierce, Unwavering Gaze on “Don’t Look Away”

by Danielle Furman
Rooms With a View - Donna Lewis
Music, ReviewsMay 1, 2024<May 1, 2024

Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’

by Grace Holtzclaw
Clarence James © Anna Elaine
Interviews, MusicMay 1, 2024<April 30, 2024

“Every feeling is temporary”: Clarence James Opens Up About Mental Health Struggles & Isolating Tendencies on “Flake”

by Chloe Robinson
Benjamin Francis Leftwich © Harvey Pearson
Columns, Music, Today's SongApril 30, 2024<April 30, 2024

Today’s Song: Benjamin Francis Leftwich’s “New York” Explores Love’s Highs and Lows

by Aaron Childree
Joshua Hyslop © Emma Rossum
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie

by Mitch Mosk
Mia Dyson © Brendan Willing James
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024

“Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection

by Mitch Mosk
Bridget Kearney © Rodneri
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024

“You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection

by Mitch Mosk
Riley - Riley Mulherkar
Debut, Music, ReviewsApril 30, 2024<April 30, 2024

Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’

by Jake Fewx
Ride © Cal McIntyre
Features, Interviews, MusicApril 30, 2024<April 30, 2024

“We are ultimately pioneers of our own sound”: Oxford Legends Ride Discuss Their Adventurous 7th Album ‘Interplay’

by Kevin Cost
Jae Soto © Sara Laufer
Music, PremieresApril 29, 2024<April 29, 2024

“A slow way down to your world inside”: The Achingly Beautiful Fragility & Vulnerability of Jae Soto’s “Honesty”

by Mitch Mosk
denn. © Emma Pilkington Mead
Columns, Music, Today's SongApril 29, 2024<April 29, 2024

“I’ve been losing everything that I believe in…”: NYC’s denn. Spills His Heavy Soul in “think,” an Intimate Inner Reckoning

by Mitch Mosk
Posts pagination
1 … 105 106 107 108 109 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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