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Declan McKenna © Henry Pearce
Features, Interviews, MusicApril 5, 2024<April 6, 2024

Interview: Declan McKenna on the Need for Authenticity in Music and His New Album ‘What Happened to the Beach?’

by Brianna Corrine
Maybird © Madelyn Bradt
Columns, Music, Today's SongApril 5, 2024<April 5, 2024

Today’s Song: Maybird’s “Carry Me Away” Sweeps Us Up into Sparkling Psych-Pop Bliss

by Christine Buckley
wilt © Mallory Turner
Debut, Features, Interviews, MusicApril 4, 2024<April 4, 2024

“An Exploration of Trauma”: LA Indie Rock Band wilt on Finding Clarity, Escaping Reality, & Honing Their Sound on Self-Titled Debut EP

by Audrey Connelly
Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongApril 4, 2024<April 4, 2024

“It’s a reflection on my life, my truth, my pain”: Dwelling in Emily Wurramara’s “Midnight Blues”

by Mitch Mosk
Medium Build © Tyler Krippaehne
Columns, Music, Reviews, This Just In, Today's SongApril 4, 2024<April 4, 2024

“Knowing you exist takes a load off me”: Basking in Medium Build’s Beautiful Love Song

by Mitch Mosk
Merce Lemon 'Will You Do Me A Kindness' © Nathan Cephas
Music, Reviews, This Just InApril 4, 2024<April 4, 2024

“Point the sun right into my flesh”: Merce Lemon’s “Will You Do Me a Kindness” Is a Cathartic Collage of Life’s Little Moments

by Mitch Mosk
Miranda Joan © Savannah Scott
Interviews, MusicApril 4, 2024<April 4, 2024

“If you want to get to know me, really listen to the music”: Getting a Little ‘Overstimulated’ With Miranda Joan

by Marissa DeLeon
Cowboy Carter - Beyoncé © Blair Caldwell
Features, Music, Reviews, RoundtableApril 4, 2024<June 29, 2024

Roundtable Discussion: A Review of Beyoncé’s ‘Cowboy Carter’

by Atwood Magazine Staff
Hozier © Ruth Medjber
Columns, Music, Today's SongApril 3, 2024<April 3, 2024

Today’s Song: With “Too Sweet,” Hozier Will Skip Dessert, Thank You!

by Desire' Jackson-Crosby
Songs for the Canyon - John Vincent III
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 7, 2024

“What’s a little pain without sunshine?”: John Vincent III Spills His Heart & Soul in Sophomore Album ‘Songs for the Canyon’

by Mitch Mosk
Beatenberg © Tami Aftab
Features, Interviews, MusicApril 3, 2024<April 3, 2024

“Some questions have an answer, others just have a sound”: Beatenberg’s Matt Field on ‘The Great Fire of Beatenberg’ and Making Art During Times of Crisis

by Kate Millar
Little Simz 'Drop 7' © Karolina Wielcoha 8.3
Music, Our Take, ReviewsApril 3, 2024<April 3, 2024

Our Take: Little Simz Proves She Never Drops Anything “Little” With Thrilling ‘Drop 7’ EP

by Connor Muldowney
Brimheim 'RATKING' © Andre Hansen
Features, Interviews, Music, Track-by-TrackApril 3, 2024<April 3, 2024

“Violent, But Beautiful”: Brimheim Is Unfiltered & Unleashed on ‘RATKING,’ a Bold, Breathtaking Record of Raw Humanity

by Mitch Mosk
beccs © Eleanor Petry
Interviews, MusicApril 2, 2024<April 2, 2024

“I was always a little bundle of stardust”: A Conversation with Brooklyn’s beccs

by Marissa DeLeon
'Bleachers' by Bleachers album art 8.9
Music, Our Take, ReviewsApril 2, 2024<April 2, 2024

Our Take: Bleachers’ Self-Titled Fourth Album Is a Sentimental, Peaceful Celebration from New Jersey’s Finest & Friends

by Jason Brillon
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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