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Lizzy McAlpine © Deanie Chen
Concerts, Music, ReviewsJune 5, 2024<June 5, 2024

Live Review: Lizzy McAlpine Brings ‘Older’ to Life at The Greek Theatre in LA

by Kelly McCafferty Dorogy
Cecilia Castleman © David O'Donohue
Artist to Watch, Features, Interviews, MusicJune 5, 2024<June 5, 2024

Interview: Nashville’s Cecilia Castleman Is Raw, Unfiltered, and Definitely Not Viral – Yet

by Emma Rayder
Tinsley "Good Ride" © Kyla Mae Cantillo
Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

by Mitch Mosk
Las Nubes © Sal Rispoli
Essays, Music, PlaylistsJune 5, 2024<June 5, 2024

Las Nubes Present: South Florida Bands We Played in (or With) at Churchill’s During Its Final Decade

by Guest Writer
Girl and Girl © James Caswell
Features, Interviews, MusicJune 5, 2024<June 5, 2024

Channeling Dramatics: Girl and Girl’s Kai Aubort Talks Debut Album ‘Call a Doctor,’ Mental Health, & Theatrics

by Claire Meyer
Jon Muq’s debut album, Flying Away
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

“It’s in my blood, I was born to roam”: Jon Muq Finds His Home in Song on Debut Album ‘Flying Away’

by Mitch Mosk
The Stanford Family Band © Milo Costelloe
Debut, Features, Interviews, Music, Track-by-TrackJune 4, 2024<June 4, 2024

Track-by-Track: The Stanford Family Band’s Vibrantly Vintage Debut EP Is Here ‘For Your Listening Pleasure’

by Mitch Mosk
Lives Outgrown - Beth Gibbons
Debut, Music, ReviewsJune 3, 2024<June 3, 2024

Beth Gibbons Pensively Looks at Her Past & What Lies Ahead Still on Solo Debut ‘Lives Outgrown’

by Kevin Krein
Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

by Emma Rayder
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongJune 3, 2024<June 3, 2024

Today’s Song: Shannon & The Clams Embrace the Surreal Nature of Time and Memory on “Dali’s Clock”

by Beau Hayhoe
Illuminati Hotties' Sarah Tudzin © Shervin Lainez
Columns, Music, Today's SongJune 2, 2024<May 30, 2024

Illuminati Hotties Explores the Dark Side of Running From Your Inner Voice on the Catchy “Can’t Be Still”

by Oliver Crook
Wishy © Alexa Viscius
Artist to Watch, Columns, Music, Today's SongJune 1, 2024<May 30, 2024

We’ve Got a Winner: Wishy Score Big With “Love on the Outside,” Their First Single Off Upcoming Debut Album ‘Triple Seven’

by Kevin Cost
Atwood Magazine's Weekly Roundup | May 31, 2024
Columns, Features, Music, Weekly RoundupMay 31, 2024<June 7, 2024

Atwood Magazine’s Weekly Roundup: May 31, 2024

by Atwood Magazine Staff
The Art of Getting Through - Imogen Clark
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

Track-by-Track: Imogen Clark’s ‘The Art of Getting Through’ Is a Rallying Cry for Survival & the Human Spirit

by Mitch Mosk
Niamh Regan 'Come As You Are' © Molly Keane
Features, Interviews, Music, Track-by-TrackMay 31, 2024<May 31, 2024

“I’m in it for the long haul, baby”: Niamh Regan Embraces a Spirit of Truth in ‘Come As You Are,’ a Breathtaking Record of Raw Self-Acceptance

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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