Music, ReviewsFebruary 15, 2024<February 15, 2024 Track-by-Track: It’s Time to ‘Get Up’ with NewJeans’ Second EP by Nasya Blackshear
9.5 Music, Our Take, ReviewsFebruary 15, 2024<February 15, 2024 Our Take: Future Islands Get Vivid & Deep on (Perhaps) a Career-Best Album, ‘People Who Aren’t There Anymore’ by Beau Hayhoe
Columns, Hidden Gems, MusicFebruary 15, 2024<February 15, 2024 The Transcendent “Les Fleurs” Is Minnie Riperton’s Hidden Gem by Audrey Connelly
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024 He’s “Spiraling Out”: 17-Year-Old Hunter Oliveri Is Blazing His Own Angsty Grunge Trail by Mitch Mosk
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024 Interview with Fer Franco: An Innovative Guatemalan Composer Finally Claims His ‘Ritos de Paso’ by Josh Weiner
Music, Music Videos, PremieresFebruary 14, 2024<February 14, 2024 Premiere: navel grazr’s Cosmic Indie Rock Reverie “Sun Doesn’t Rise” Is a Song of Sonic & Emotional Fuzz by Mitch Mosk
Columns, Music, Today's SongFebruary 13, 2024<February 13, 2024 Today’s Song: Hiatus Kaiyote Vibe With Relentless Positivity on Wonderful New Single “Everything’s Beautiful” by Jake Fewx
Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 13, 2024 Intense, Dreamy, & Nostalgic: House of Harm’s ‘Playground’ Is a Dramatic Post-Punk Fun House by Mitch Mosk
Features, Interviews, MusicFebruary 13, 2024<February 16, 2024 Time and Space: The Process & Perspective Behind Danielle Durack’s ‘Escape Artist’ by Hannah Burns
Debut, Features, Interviews, Music, Track-by-TrackFebruary 13, 2024<February 20, 2024 “It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’ by Mitch Mosk
Music, Reviews, This Just InFebruary 13, 2024<February 13, 2024 “I wish I knew what the end is”: Lizzy McAlpine Ushers in a New Era with Achingly Beautiful “Older” by Kelly McCafferty Dorogy
Music, PremieresFebruary 13, 2024<February 13, 2024 “I’m spilling out as you’re pouring in”: Wynona’s Romantic Anthem “Kiss Me, Kiss Me” Is an Irresistible Celebration of Love & Connection by Mitch Mosk
Debut, Music, PremieresFebruary 13, 2024<February 13, 2024 Coaxing, Intimate, & Warm: Melting Reeds Craft Mesmerizing Soundscapes on Debut EP ‘Sundown’ by Jake Fewx
Artist to Watch, Features, Lists, MusicFebruary 12, 2024<February 15, 2024 Atwood Magazine’s 2024 Artists to Watch by Atwood Magazine Staff
Debut, Interviews, MusicFebruary 12, 2024<February 12, 2024 “In the end, you just want to feel something”: New Politics’ Søren Hansen Debuts New Solo Project With “Dream That I Die” by Mitch Mosk
For the Love of Music
For the Love of Music
