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Ocean Alley 'Low Altitude Living" © Kane Lehanneur
Features, Interviews, MusicApril 25, 2024<April 25, 2024

Interview: Ocean Alley Are Touching Back Down in Your City

by Blake McMillan
Wifey © Owen Bigler
Columns, Debut, Music, Today's SongApril 25, 2024<April 25, 2024

Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut

by Mitch Mosk
Yot Club © Ariel Fisher
Features, Interviews, MusicApril 25, 2024<January 28, 2026

“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’

by Mitch Mosk
fucales © Linn Heidi Stokkedal
Music, PremieresApril 25, 2024<April 25, 2024

“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie

by Mitch Mosk
No Doubt's standout performance during weekend two of Coachella 2024 shows that, 30+ years later, the band's chemistry is still very much intact.
Concerts, Festival, Music, ReviewsApril 25, 2024<April 25, 2024

“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good

by Emma Rayder
The Tortured Poets Department - Taylor Swift
Features, Music, Reviews, RoundtableApril 25, 2024<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’

by Atwood Magazine Staff
Sleepwalker © Kate Harrison
Debut, Music, ReviewsApril 25, 2024<April 25, 2024

New Jersey’s Sleepwalker Loses Love to the Night in Debut Single “When the Lights Go Down”

by Chloe Robinson
Gizmo Varillas © Gati Varillas
Music, Reviews, This Just InApril 25, 2024<April 24, 2024

Gizmo Varillas’ Dreamy “Ojos Nuevos” Is an Achingly Beautiful Rite of Passage & Spiritual Cleanse

by Mitch Mosk
THEM © Ericka Clevenger
Columns, Music, Today's SongApril 24, 2024<April 24, 2024

Today’s Song: Seattle’s THEM Emerge With a Grunge-Laced Pop/Rock Fervor on “Can’t Call It Mine”

by Mitch Mosk
Joh Chase © Shervin Lainez
Features, Interviews, Music, Premieres, Track-by-TrackApril 24, 2024<April 24, 2024

Track-by-Track: Joh Chase’s Triumphant & Liberating ‘SOLO’ Album Is a Record of Connection, Self-Assurance, & Life Lived to the Fullest

by Mitch Mosk
I Wonder If The World Knows? - The K's 8.7
Music, Our Take, ReviewsApril 24, 2024<April 24, 2024

“We’re not punk, we’re not indie, we’re not Brit pop”: The K’s Debut With a Raucous Rock Fusion on ‘I Wonder If The World Knows?’

by Christine Buckley
Ginger Winn "Frosting" © Adrianna Newell
Debut, Music, Music Videos, PremieresApril 24, 2024<April 24, 2024

“Pour honey in their ears”: Retired Pastry Chef Ginger Winn’s Sweet Dreams Come True in “Frosting”

by Mitch Mosk
Jordan Lindley "Sometime Someday" © Lindsey Torres
Music, PremieresApril 24, 2024<April 24, 2024

“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance

by Mitch Mosk
Chappell Roan "Good Luck, Babe!" © Ryan Clemens
Music, Reviews, This Just InApril 24, 2024<May 5, 2025

Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims

by Dimitra Gurduiala
WRKHOUSE © Cara Kealy
Debut, Features, Interviews, Music, Track-by-TrackApril 23, 2024<April 23, 2024

“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie

by Mitch Mosk
Posts pagination
1 … 136 137 138 139 140 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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