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Lily Seabird © Patrick Hintz
Artist to Watch, Music, Music Videos, PremieresNovember 29, 2023<November 29, 2023

Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity”

by Mitch Mosk
Fronzoli - Psychedelic Porn Crumpets
Music, ReviewsNovember 29, 2023<November 29, 2023

Review: Psychedelic Porn Crumpets’ ‘Fronzoli’ Takes Listeners Through a Fast, Chaotic, and Maximal Kaleidoscope of Textured Sound

by Guest Writer
Cherry Glazerr © Maddy Rotman
Features, Interviews, MusicNovember 29, 2023<November 29, 2023

Interview: Clementine Creevy of Cherry Glazerr’s “Freeing and Liberating” Musical Process in ‘I Don’t Want You Anymore’

by Minna Abdel-Gawad
two blinks, i love you © 2023
Columns, Music, Today's SongNovember 29, 2023<November 29, 2023

Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment”

by Mitch Mosk
Tafari Anthony © Joshua Rille
Debut, Features, Interviews, MusicNovember 29, 2023<November 29, 2023

Premiere: Tafari Anthony Dives into Love on Empowering Debut Album ‘When I Met Your Girlfriend’

by Mitch Mosk
Dweller © courtesy of the artist
Artist to Watch, Debut, Features, Interviews, MusicNovember 28, 2023<December 1, 2023

“No filter, no filler, just love”: Meet Dweller, Your New Favorite Indie Supergroup

by Mitch Mosk
Milan Ring "Mangos" © James Evans
Interviews, Music, Today's SongNovember 28, 2023<December 13, 2023

“Summertime romance, making love, and glistening in the sunlight”: The Sweet, Love-Soaked Seduction of Milan Ring’s Juicy “Mangos”

by Mitch Mosk
Shower Curtain © Juliette Boulay
Features, Interviews, MusicNovember 28, 2023<February 8, 2024

Around the Fur: A Conversation with Shower Curtain

by Will Yarbrough
swim school © Rory Barnes
Interviews, MusicNovember 28, 2023<November 28, 2023

“At the end of the day, you’re inspired by people”: A Conversation with Swim School

by Brianna Corrine
Gulfer © Noémie Plante
Columns, Music, Today's SongNovember 27, 2023<November 27, 2023

Today’s Song: Gulfer Dive Deep With New Standalone Single “Clean”

by Beau Hayhoe
The Mellons © Vern Tooley
Interviews, Music, Music Videos, PremieresNovember 27, 2023<November 27, 2023

Premiere: The Mellons Reinvent ’60s Power Pop in “Make Me Feel,” a Psych-Soaked, Smile-Inducing Seduction

by Mitch Mosk
Andre 3000 'New Blue Sun' © Kai Regan 8.2
Music, Our Take, ReviewsNovember 27, 2023<November 27, 2023

Our Take: A New André 3000 Era Dawns Splendidly on ‘New Blue Sun’

by Josh Weiner
Pluto Saffron © Tanner LeMoine
Columns, Music, Today's SongNovember 24, 2023<November 24, 2023

Today’s Song: Pluto Saffron’s “Don’t Fade Away” Is the Ultimate Irresistible Burst of Nostalgia

by Chloe Robinson
'In My Nature' EP - Rosie H Sullivan © Marc Sharp
Features, Interviews, MusicNovember 24, 2023<November 24, 2023

An Ode to the Scottish Highlands: Rosie H Sullivan’s Second EP, ‘In My Nature’

by Lauren Hicks
LØLØ © Walker Hutchinson
Columns, Interviews, Music, Today's SongNovember 23, 2023<November 23, 2023

Interview: LØLØ Plots Diabolical Revenge on “hot girls in hell”

by Josh Weiner
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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