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BEL © SJ Spreng
Columns, Interviews, Music, Today's SongApril 23, 2024<April 23, 2024

“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem

by Mitch Mosk
Yvonne Ambree © Rosie Cohe
Music, Music Videos, PremieresApril 23, 2024<April 23, 2024

“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction

by Mitch Mosk
Red Rum Club © 2024
Features, Interviews, MusicApril 23, 2024<April 23, 2024

Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’

by Jake Fewx
ROREY © Erica Devin Snyder
Features, Interviews, MusicApril 23, 2024<April 23, 2024

“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change

by Chloe Robinson
Asha Imuno © Helene Kertanis
Concerts, Music, ReviewsApril 23, 2024<April 23, 2024

Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm

by Minna Abdel-Gawad
Nick Folwarczny © William Wark
Columns, Music, Today's SongApril 22, 2024<April 22, 2024

Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache

by Mitch Mosk
BANNERS © Marieke Macklon
Features, Interviews, Music, Track-by-TrackApril 22, 2024<April 22, 2024

‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming

by Lauren Turner
Only God Was Above Us - Vampire Weekend
Features, Music, Reviews, RoundtableApril 22, 2024<June 29, 2024

Roundtable Discussion: A Review of Vampire Weekend’s ‘Only God Was Above Us’

by Atwood Magazine Staff
Care - Golda May
Columns, Music, Today's SongApril 21, 2024<April 17, 2024

Today’s Song: golda may’s “Care” Delicately Touches Our Collective Core Wound

by Danielle Furman
Laci Kaye Booth © Acacia Evans
Columns, Music, Today's SongApril 20, 2024<April 17, 2024

“Most nights I don’t go there”: Laci Kaye Booth Strolls Down Memory Lane in Her Dreamy Song “Sometimes”

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | April 19, 2024
Columns, Features, Music, Weekly RoundupApril 19, 2024<April 22, 2024

Atwood Magazine’s Weekly Roundup: April 19, 2024

by Atwood Magazine Staff
Rex and the Rhythm © LOUD 87
Columns, Music, Today's SongApril 19, 2024<April 19, 2024

Indie-Soul Artist Rex & The Rhythm’s Mesmerizingly Mellow “Umbrella” Is a Sanctuary of Sound

by Chloe Robinson
Asha Jefferies © Jax Oliver
Debut, Features, Interviews, Music, Track-by-TrackApril 19, 2024<April 19, 2024

“I had to give up to start again”: Asha Jefferies Is Unleashed & Empowered on Triumphant Debut Album ‘Ego Ride’

by Mitch Mosk
Ellie Irwin © @sikinunday
Features, Interviews, MusicApril 19, 2024<April 19, 2024

Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down”

by Sophie Severs
Charli XCX © 2024 8.1
Music, Our Take, Reviews, This Just InApril 19, 2024<April 19, 2024

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”

by Julia Dzurillay
Posts pagination
1 … 137 138 139 140 141 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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