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Slothrust © Marcelo Mayen
Interviews, MusicNovember 22, 2023<November 22, 2023

“If you’re horny, let’s do it”: Slothrust Deliver Seductive Slow Thrusts in Hot n’ Sweaty “Pony” Cover

by Mitch Mosk
Tunes & Tumblers x Thanksgiving 2023
Music, Podcast, Tunes & TumblersNovember 22, 2023<November 22, 2023

Podcast: Tunes & Tumblers Features Thanksgiving Roundtable and a Winter Rumderland

by Atwood Magazine Staff
Diamond Grinder © 2023
Debut, Features, Interviews, MusicNovember 22, 2023<November 22, 2023

Interview: Diamond Grinder’s ‘Expectations’ Are High, But Their Debut Album Is Higher

by Guest Writer
Abby Sage "Hunger" © cloudyytots
MusicNovember 22, 2023<November 22, 2023

Today’s Song: The Haunting “Hunger” and Sexual Liberation of Abby Sage

by Mitch Mosk
Raw Poetic, P-Fritz, & Damu the Fudgemunk
MusicNovember 21, 2023<November 21, 2023

“Beastie, Tribe, & Enemy”: Raw Poetic’s ‘Away Back In’ Is a Soulful, Smoldering Hip-Hop Seduction

by Mitch Mosk
BIZZY © Hunter Henderson
Interviews, Music, Track-by-TrackNovember 21, 2023<August 18, 2025

Interview: Nashville Indie Pop Artist BIZZY Updates Us on Her Tour & New EP, ‘I Don’t Get Breakups’

by Lauren Hicks
Bridget Rian "Sydney Sweeney" © Libby Danforth
Columns, Music, Today's SongNovember 21, 2023<November 21, 2023

“Sydney Sweeney” Is a Dramatic, Cinematic, and Emotionally-Charged Hit for Bridget Rian

by Mitch Mosk
Bad Suns © Sarah Eiseman
Features, Interviews, Music, Track-by-TrackNovember 21, 2023<November 21, 2023

Track-by-Track: Bad Suns Bask in the Glow of ‘Infinite Joy’

by Mitch Mosk
Charli Adams for Atwood Magazine © Luke Rogers
Features, Interviews, Music, Track-by-TrackNovember 20, 2023<November 20, 2023

Track-by-Track: Charli Adams Bares Her Soul in ‘nothing to be scared of,’ a Confessional, Cathartic & Fearless EP

by Mitch Mosk
The Staves 'All Now' © Harvey Pearson
Music, Reviews, This Just InNovember 20, 2023<November 20, 2023

This Just In: The Staves Are “All Now,” Isn’t It Exciting?!

by Mitch Mosk
CRAVITY 'SUN SEEKER' © courtesy of the artist
Features, Interviews, MusicNovember 20, 2023<November 28, 2023

Interview: K-Pop Group CRAVITY Share Their Comeback Process, Favorite Dishes, & A Message to LUVITY

by Freya Rinaldi
Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

by Nasim Elyasi
'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

by Sofia Sar
DREZO & BIJOU © Alex Varsa
Columns, Interviews, Music, Today's SongNovember 19, 2023<November 19, 2023

Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons”

by Josh Weiner
David AM © 2023
Columns, Music, Today's SongNovember 18, 2023<November 17, 2023

David Maine Returns to Indie Rock as David AM With Throwback Debut Single “What Was Isn’t Now”

by Beau Hayhoe
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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