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Joan and the Giants © Isabelle Haubrich
Columns, Music, Today's SongNovember 9, 2023<November 9, 2023

Don’t Make Me “Beg”: Perth’s Joan & the Giants Ache with Unrequited Love in a Bold, Breathtaking Anthem

by Mitch Mosk
Close Talker "Papier-mâché" © Nicole Plett
Columns, Music, Today's SongNovember 8, 2023<November 8, 2023

Today’s Song: Saskatoon’s Close Talker Stun With “Papier-mâché,” a Cathartic & Charged Indie Rock Reckoning

by Mitch Mosk
Are You There, Boy? - Beharie
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Adventurous, Vulnerable, Playful: Beharie Shares His Many Sides on Soulful & Dreamy Debut Album, ‘Are You There, Boy?’

by Mitch Mosk
Trying to define newpunk - Dancing the Conga
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Cozy, Messy, & Loud: Oslo’s Dancing the Conga Debut with ‘Trying to define newpunk’, an Exhilarating Musical Fever Dream

by Mitch Mosk
Atka © Anh Le
Debut, Features, Interviews, Music, Track-by-TrackNovember 7, 2023<November 7, 2023

Perception & Paranoia: Atka’s Haunting Debut EP ‘The Eye Against the Ashen Sky’ Exposes Our Innermost Depths & Dichotomies

by Mitch Mosk
Maiden King's Jake Hawrylak © Cory DeWald
Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: Maiden King’s Smoldering “One Days” Is a Soul-Stirring Journey into Life’s Dreamy Depths

by Mitch Mosk
HAHA © Yrene Ramirez
Debut, Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: HAHA Invite Us to Dance the Night Away With “No Promises,” an Intimate Indie Pop Seduction

by Mitch Mosk
All We Are - WESSON
Debut, Features, Interviews, MusicNovember 7, 2023<November 7, 2023

Interview: British Alt Rock Band WESSON Speak About Their Raw & Vulnerable Debut Album, ‘All We Are’

by Joe Beer
Bear's Den © Bennie Curnow
Columns, Music, Today's SongNovember 7, 2023<November 7, 2023

Today’s Song: The Beautiful, Bittersweet Weight of Bear’s Den’s “Loneliness”

by Mitch Mosk
Yam Haus © Casey Pflipsen
Features, Interviews, Music, Track-by-TrackNovember 6, 2023<November 6, 2023

“I’m a proud little hamster on my wheel”: Getting ‘Stupid and Famous’ With Pop Rock Trio Yam Haus

by Mitch Mosk
'When the Pawn...' album art - Fiona Apple
Music, Nostalgia Tracks, ReviewsNovember 6, 2023<November 6, 2023

When The Pawn…’s 24th Anniversary: How Fiona Apple Shaped a Generation of Singer/Songwriters

by Minna Abdel-Gawad
denn. © Emma Pilkington Mead
Columns, Music, Today's SongNovember 6, 2023<December 11, 2023

Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?”

by Mitch Mosk
Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

by Hannah Burns
beabadoobee & Laufey © 2023
Columns, Music, Today's SongNovember 4, 2023<November 4, 2023

Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember”

by Laurent Chavannes
Wild Nothing's Jack Tatum © Ethan Hickerson
Columns, Music, Today's SongNovember 3, 2023<November 3, 2023

Today’s Song: Wild Nothing Pushes the Limits in Reflective Track “Prima” Off New LP ‘Hold’

by Beau Hayhoe
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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