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Hope Tala © Erica Devin Snyder
Music, Reviews, This Just InApril 11, 2024<April 11, 2024

“Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty

by Mitch Mosk
Kacey Musgraves 'Deeper Well' © Kelly Christine Sutton 6.4
Music, Our Take, ReviewsApril 10, 2024<April 10, 2024

Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country

by Sam Franzini
Glass Animals "Creatures in Heaven" © Lillie Eiger
Music, Reviews, This Just InApril 10, 2024<April 10, 2024

“What do you think about when you think about love?”: Glass Animals Are Here, in the Moment, on “Creatures in Heaven”

by Mitch Mosk
Jenny Owen Youngs © Josh Goleman
Features, Interviews, MusicApril 10, 2024<April 10, 2024

Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’

by Jaclyn Kelly
RiTchie © Patrick Driscoll
Columns, Music, Today's SongApril 10, 2024<April 10, 2024

“Look who done came through”: Basking in the Dry Heat of RiTchie’s “Dizzy” ft. Aminé

by Mitch Mosk
X Ambassadors © Tyler Jay Hanson
Interviews, MusicApril 10, 2024<April 10, 2024

“I was going through an identity crisis”: How Heading Home to Ithaca Yielded X Ambassadors’ Most Intimate Music to Date

by Josh Weiner
Bad Bad Hats © Zoe Prinds
Interviews, MusicApril 10, 2024<April 16, 2024

Interview: Rockin’ Out with Bad Bad Hats’ Kerry Alexander

by Marissa DeLeon
Whitworth "World War" © Diana Hardage
Columns, Music, Today's SongApril 9, 2024<April 9, 2024

“Love is the motive”: Whitworth’s “World War” Is a Witty Indie Boy Banger

by Noah Berghammer
fanclubwallet by Cole Yearwood
Features, Interviews, Music, Track-by-TrackApril 9, 2024<April 9, 2024

“Cartoonish Canadian Indie”: fanclubwallet’s ‘Our Bodies Paint Traffic Lines’ Is an Angsty Indie Rock Record of Friendship & Full Band Magic

by Mitch Mosk
Hannah Connolly by Cody Ackors
Music, PremieresApril 9, 2024<April 9, 2024

“Busy living on the outside”: The Dreamy, Restless Ache of Hannah Connolly’s “Shadowboxing”

by Mitch Mosk
Luke Francis © Jake Gombis
Music, PremieresApril 9, 2024<April 9, 2024

Premiere: Luke Francis’ “Go Home” Is a Heavy-Hearted Stroll Through Palm Springs

by Mitch Mosk
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongApril 8, 2024<April 8, 2024

Today’s Song: Shannon and the Clams Continue to Defy Convention with “The Moon Is in the Wrong Place”

by Beau Hayhoe
B-Drop
Music, PremieresApril 7, 2024<April 10, 2024

Premiere: B-Drop Worldwide Showcases Lily Kershaw, Alayna, & E. G. Daily

by Mitch Mosk
Career Woman © Colleen McPhillips
Columns, Music, Today's SongApril 7, 2024<April 6, 2024

Today’s Song: The Euphoric Misanthropy of Career Woman’s “No Alibi”

by Danielle Furman
Iron and Wine © Kim Black
Columns, Music, Today's SongApril 6, 2024<April 5, 2024

“Let it be the song on your little radio” and Listen to Iron & Wine’s “You Never Know”

by Brianna Corrine
Posts pagination
1 … 140 141 142 143 144 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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© Atwood Magazine 2024 For the Love of Music
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