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The Vaughns © Brian Hughes
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Track-by-Track: With ‘Egg Everything,’ The Vaughns Cook Up an Inventive, Impassioned, & Achingly Emotive Sophomore Album

by Mitch Mosk
Taking Back Sunday '152' © DJay Brawner
Features, Interviews, MusicNovember 3, 2023<November 3, 2023

“A Newfound Zest”: Reflecting on the Past & Looking to the Future with Taking Back Sunday’s Shaun Cooper

by Isabella Le
Victoria Bigelow © Eric Daniels
Features, Interviews, Music, Track-by-TrackNovember 3, 2023<November 3, 2023

Nostalgic, Dusky, & Contemplative: Victoria Bigelow’s Beautifully Brutal ‘Songs for No One Vol. 1’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 3, 2023
Columns, Features, Music, Weekly RoundupNovember 3, 2023<November 3, 2023

Atwood Magazine’s Weekly Roundup: November 3, 2023

by Atwood Magazine Staff
Florida Girl - Lydia Luce
Features, Interviews, Music, Track-by-TrackNovember 2, 2023<November 2, 2023

Colorful, Ambient, & Orange: Lydia Luce Embraces Her Inner ‘Florida Girl’ on Intimate & Vulnerable Third LP

by Mitch Mosk
Now and Then: The Long and Winding Road to the Last Beatles Song © Aidan Moyer
Features, Music, ReviewsNovember 2, 2023<January 6, 2024

Now and Then: The Long and Winding Road to the Last Beatles Song

by Aidan Moyer
mehro © Russell Tandy
Columns, Music, Today's SongNovember 2, 2023<November 2, 2023

Today’s Song: mehro’s New Single Is an Intimate Rush of Raw “dopamine”

by Mitch Mosk
Rett Madison © Mikayla Miller
Features, Interviews, Music, Track-by-TrackNovember 1, 2023<November 1, 2023

Catharsis, Honesty, & Healing: Rett Madison Leans into Grief on ‘One for Jackie,’ Her Soul-Stirring Sophomore LP

by Mitch Mosk
Squirrel Flower's Ella Williams © Alexa Viscius
Music, ReviewsNovember 1, 2023<November 1, 2023

Review: Squirrel Flower Puts It All Out There in Shimmering Third Album, ‘Tomorrow’s Fire’

by Rachel Leong
Allie X "Black Eye" © Marcus Cooper
Columns, Music, Today's SongNovember 1, 2023<November 1, 2023

“There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye”

by Marissa DeLeon
Lee Lewis © Shamaal
Artist to Watch, Columns, Debut, Music, Today's SongOctober 31, 2023<October 31, 2023

His Beautiful Dark Twisted Melancholy: LA’s Lee Lewis Bares His Soul on Lovelorn Debut Single “Willing & Able”

by Mitch Mosk
teddy
MusicOctober 31, 2023<November 1, 2023

“I wanted to explore the person I was becoming”: Teddy Geiger Premieres ‘Teresa,’ an Album of Transition, Reconnection, & Self-Discovery

by Mitch Mosk
Maple Glider © Bridgette Winten
Features, Interviews, Music, Track-by-TrackOctober 31, 2023<October 31, 2023

“A Warm and Safe Space”: Maple Glider Is Vulnerable, Raw, & Exposed on ‘I Get into Trouble,’ Her Breathtaking Sophomore Album

by Mitch Mosk
Pearl Jam's 'Vs.' © Lance Merner 8.7
Features, Music, Our Take, ReviewsOctober 31, 2023<October 31, 2023

Our Take: Thirty Years of Pearl Jam’s ‘Vs.’

by Audrey Connelly
Peter Cat Recording Co. © Salihah Saadiq
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

Interview: “Floated By” Boasts the Eclectic Charm of Peter Cat Recording Co.

by Miles Campbell
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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