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Humbird © Juliet Farmer
Music, PremieresFebruary 1, 2024<February 1, 2024

Premiere: Humbird’s Soul-Stirring “Right On” Aches With Tender Folk & a Timeless Warmth

by Mitch Mosk
Under the Pink - Tori Amos
Music, ReviewsJanuary 31, 2024<January 31, 2024

Thirty Years on, ‘Under The Pink’ Remains Tori Amos’ Masterclass in Chameleonic Storytelling

by Guest Writer
Sleeping Jesus © Harrison McCormick
Features, Interviews, Music, Track-by-TrackJanuary 31, 2024<January 31, 2024

Track-by-Track: Sleeping Jesus Channel Midwestern Magic into ‘Hollywood Smile,’ Their Wistful, Sentimental, & Hopeful Sophomore Album

by Mitch Mosk
Del Water Gap & Holly Humberstone © Angela Riccardi & Charlotte Alex
Columns, Music, Today's SongJanuary 31, 2024<January 31, 2024

“Let’s keep living how we’re living”: Del Water Gap & Holly Humberstone’s “Cigarettes & Wine” Is a Dreamy, Romantic Rendezvous

by Mitch Mosk
Bloomsday © Sam Weisenthal
Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Grief & Memory Converge on Bloomsday’s Achingly Beautiful “Where I End and You Begin”

by Mitch Mosk
Teen Jesus and the Jean Teasers © Michelle Pitiris
Debut, Features, Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Scarlett McKahey of Teen Jesus and The Jean Teasers Talks Debut Album ‘I Love You’ and the Journey into Your 20s

by Kendall Graham
Subtle Orange © Ethan Bartley
Concerts, Music, ReviewsJanuary 31, 2024<January 31, 2024

Live Review: Subtle Orange Are Taking Their Childhood Dreams to New Heights & Bringing Fans Along With Them

by Grace Holtzclaw
Ghostryder © Michael Arellano
Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Songwriting Never Stops Haunting Ghostryder’s Gabe Reali

by Guest Writer
Mumford & Sons © Fabien Montique
Columns, Music, Today's SongJanuary 30, 2024<January 30, 2024

“Good people been down for so long”: Mumford & Sons Collaborate With Pharrell Williams on Rousing Return Single “Good People”

by Lauren Turner
CMAT © Sarah Doyle
Features, Interviews, MusicJanuary 30, 2024<January 30, 2024

“Healing is not linear”: CMAT Is Exposed & Unleashed on ‘Crazymad, For Me,’ Her Bold and Brilliant Breakup Album

by Mitch Mosk
junodream © Barney Curran
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2024<January 30, 2024

“Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album

by Mitch Mosk
Comfort Club © Lauren Nieves
Artist to Watch, Features, Interviews, Music, Music You Should Know, Pop MattersJanuary 30, 2024<January 30, 2024

Interview: This Time Around, Comfort Club Is Holding Nothing Back

by Noah Wade
Marlene Larsen © XUS Photography
Columns, Debut, Music, Today's SongJanuary 29, 2024<January 29, 2024

“Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday”

by Mitch Mosk
Akira Galaxy © Silken Weinberg, Angela Ricciardi
Debut, Features, Interviews, MusicJanuary 29, 2024<January 29, 2024

“Back to My Roots”: Akira Galaxy Looks to the Stars & Embraces Her Inner Child on ‘What’s Inside You’

by Isabella Le
Samaria © RYDER
Columns, Music, Today's SongJanuary 28, 2024<January 28, 2024

Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse”

by Aidan Mega
Posts pagination
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Brand New

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

:: discover something new ::

Recent Posts

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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