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Rosina Buck
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day

by Guest Writer
Sailing Stones © 2026
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“The Mercurial, Missing Music of Motherhood”: An Essay by Sailing Stones for International Women’s Day

by Guest Writer
“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day

by Guest Writer
John-Robert © Jon Alan
Columns, Music, Today's SongMarch 8, 2026<March 8, 2026

John-Robert’s “Anna” Brings Back the Art of Crushing – and the Thrill That Comes With It

by Miranda Urbanczyk
Desert Collider © Andrea Casagranda
Columns, Music, Today's SongMarch 7, 2026<March 7, 2026

Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”

by Will Yarbrough
David Kennan © Rob Benson
Features, Interviews, MusicMarch 6, 2026<March 9, 2026

“We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’

by Damien Joyce
Dogpark © Ilona Donovan
Features, Interviews, MusicMarch 6, 2026<March 6, 2026

“Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’

by Miranda Urbanczyk
Gabi Hartmann © Elsa Parra
Features, Interviews, Music, Today's SongMarch 6, 2026<March 6, 2026

“I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound

by Mitch Mosk
Ava Della Pietra "3am" © Georgia Nerheim
Music, Music Videos, PremieresMarch 5, 2026<March 23, 2026

“Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity

by Mitch Mosk
MisterWives' Mandy Lee Is Cherry Bomb - "Never Be Me" © Matty Vogel
Debut, Interviews, Music, Today's SongMarch 5, 2026<March 5, 2026

“A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)”

by Mitch Mosk
Feaster "Gene"
Music, PremieresMarch 4, 2026<March 4, 2026

“Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”

by Mitch Mosk
Bruno Mars 'The Romantic' © John V. Esparza 7.3
Music, Our Take, ReviewsMarch 4, 2026<March 4, 2026

Our Take: Bruno Mars Delivers Charming, Slow-Burning Fun on Fourth Solo Album ‘The Romantic’

by Josh Weiner
Mia Nicolai "Nothing Compares to This Feeling" © Joelle Grace
Interviews, Music, Music Videos, PremieresMarch 4, 2026<March 4, 2026

“You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie

by Mitch Mosk
Carter Vail "Ants in My Room" © Makayla Keasler
Interviews, Music, Today's SongMarch 4, 2026<March 4, 2026

“Yes, It’s About Ants”: Carter Vail Turns Paranoia, Loneliness, and Absurdity into an Indie Pop Earworm on “Ants in My Room”

by Mitch Mosk
Emory Duncan © Breigha Marguerite Duncan
Music, PremieresMarch 3, 2026<March 3, 2026

“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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