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Tame Impala © Irie Calkins
Columns, Music, Today's SongOctober 4, 2025<October 4, 2025

“It’s Far Too Late, the Time Has Come”: Tame Impala Shadows a Haunting Anthem with “Dracula” Ahead of Fifth Studio Album ‘Deadbeat’

by Ashley Littlefield
Soft Loft "Dorm" © Flavio Leone
Artist to Watch, Interviews, MusicOctober 3, 2025<October 8, 2025

“I See Mountains, I See Forests”: Soft Loft’s Soul-Stirring “Dorm” Is a Golden Hymn of Perseverance, Hope, & Humanity

by Mitch Mosk
Jens Kuross © Mark Oliver
Features, Interviews, Music, Track-by-TrackOctober 3, 2025<October 3, 2025

Track-by-Track: Jens Kuross’ ‘Crooked Songs’ Feels Like a Conversation Cut Short – It Leaves you Wanting More

by Aileen Goos
Daffo © Nolan Knight
Artist to Watch, Debut, Features, Interviews, MusicOctober 3, 2025<October 3, 2025

Looking for a “Quick Fix”? Daffo’s ‘Where the Earth Bends’ Is a Raw Reflection on Confronting Your Vices

by Madeleine Eggen
Getting Killed by Geese
Music, ReviewsOctober 3, 2025<October 3, 2025

Geese: ‘Getting Killed’ Never Sounded So Good

by Anu Sarode
Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song
Columns, Music, Nostalgia TracksSeptember 30, 2025<September 30, 2025

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song

by Anu Sarode
Still Blank © Travis Bailey
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 30, 2025<September 30, 2025

The Kids “Ain’t Quite Right”: Still Blank Emerge from the Dark with a Haunting Alt-Rock Fever Dream

by Mitch Mosk
AM I THE DRAMA? - Cardi B 7.6
Music, Our Take, ReviewsSeptember 30, 2025<September 30, 2025

Our Take: Cardi B’s Comeback Album ‘AM I THE DRAMA?’ Is As Striking & Abrasive As Anything in Her Catalog

by Josh Weiner
Doechii © All Things Go
Concerts, Music, ReviewsSeptember 30, 2025<September 30, 2025

Review: Doechii Responds to Lola Young Health Scare at All Things Go in the Sweetest Way

by Julia Dzurillay
Becca Hannah © Nicolangelo Leone
Music, Music Videos, PremieresSeptember 30, 2025<September 30, 2025

Premiere: Becca Hannah’s “Caramel” Is the Perfect Jazzy Paradise for Pining Over a Crush

by Chloe Robinson
Sarah Kinsley © All Things Go / Jazmin Tuscani
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Sarah Kinsley Is Anything But “Fleeting” at New York City’s All Things Go Music Festival

by Julia Dzurillay
Rachel Chinouriri © All Things Go
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Review: Rachel Chinouriri Is a Garden of Eden at New York City’s All Thing Go Music Festival

by Julia Dzurillay
Amazonica © 2025
Interviews, MusicSeptember 29, 2025<September 29, 2025

Interview: Amazonica Reflects on Reinvention in “Mirror Baby” & New Album ‘Victory’

by Joe Beer
Ginger Root 'SHINBANGUMI' © David Gutel
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Review: Ginger Root Introduces a Surprising New Setlist Format with City Pop-Inspired New York City Concert

by Julia Dzurillay
Paris Paloma "Good Boy" © Phoebe Fox
Columns, Music, Today's SongSeptember 29, 2025<September 29, 2025

Paris Paloma’s “Good Boy” Is a Scorching Anti-Capitalist, Feminist Anthem for the Working Class

by Nicolle Knapová
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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