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Atwood Magazine's 150th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 18, 2026<March 18, 2026

Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers!

by Mitch Mosk
CARR © Sheva Kafai
Features, Interviews, MusicMarch 18, 2026<April 13, 2026

Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions

by Kelsey Ferrell
“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”
Music, Music Videos, PremieresMarch 18, 2026<March 18, 2026

“Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You”

by Mitch Mosk
Silverdeer "Open Mouth" © Emma Holabird
Debut, Interviews, Music, Today's SongMarch 18, 2026<March 18, 2026

“We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality

by Mitch Mosk
Bruno Mars 'The Romantic' album art
Features, Music, Reviews, RoundtableMarch 17, 2026<March 17, 2026

Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’

by Atwood Magazine Staff
Linda Marks © Amaru Photography
Essays, Music, Women's History MonthMarch 17, 2026<March 18, 2026

“Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month

by Guest Writer
Soda Blonde © Adam O'Regan
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026

“Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth

by Mitch Mosk
Atwood Magazine's Weekly Roundup | March 16, 2026
Columns, Features, Music, Weekly RoundupMarch 17, 2026<March 17, 2026

Atwood Magazine’s Weekly Roundup: March 17, 2026

by Atwood Magazine Staff
Delaney Bailey © Alexa Viscius
Features, Interviews, MusicMarch 16, 2026<March 16, 2026

Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist

by Rachel Leong
Grace Ives "Stupid Bitches" © 2026
Columns, Music, Today's SongMarch 16, 2026<March 16, 2026

“I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem

by Kevin Cost
Maris "Body Is on Fire" © 2026
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026

“Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire”

by Mitch Mosk
J.MYSTERY © Pedro Gomes
Interviews, Music, Today's SongMarch 14, 2026<March 14, 2026

“Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change”

by Joe Beer
The Format © Carlo Cavaluzzi
Features, Interviews, MusicMarch 13, 2026<March 14, 2026

“There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World

by Mitch Mosk
Tessa Rose Jackson © Bibian Bingen
Features, Interviews, MusicMarch 13, 2026<March 13, 2026

“You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’

by Aileen Goos
Mia Martina © 2026
Essays, Music, Women's History MonthMarch 13, 2026<March 14, 2026

“When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month

by Guest Writer
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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