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Sydney Sprague © Michael Carter
Features, Interviews, MusicOctober 16, 2023<October 16, 2023

Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’

by Mitch Mosk
Doja Cat © Jacob Webster
Music, ReviewsOctober 16, 2023<October 16, 2023

Doja Cat’s ‘Scarlet’ Is a Rap-Centric Pivot for the Superstar

by Eric Schuster
Mike Sabath © Oliver Pearson
Columns, Music, Today's SongOctober 15, 2023<October 15, 2023

Today’s Song: Mike Sabath’s “Life” Is an Honest Offering That Will Resonate With Us All

by Chloe Robinson
Last Dinosaurs © Andre Cois
Columns, Music, Today's SongOctober 14, 2023<October 14, 2023

Today’s Song: Last Dinosaurs Melt Hearts With New Single “Walking on Ice”

by Julia Dzurillay
Rob Grant 'Lost at Sea' © Chuck Grant
Debut, Features, Interviews, MusicOctober 13, 2023<October 13, 2023

Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 13, 2023
Columns, Features, Music, Weekly RoundupOctober 13, 2023<October 16, 2023

Atwood Magazine’s Weekly Roundup: October 13, 2023

by Atwood Magazine Staff
Robert Kretzschmar © Noel Richter
Debut, Features, Music, Premieres, Track-by-TrackOctober 12, 2023<October 12, 2023

Melancholy, Warmth, & Relaxation: Robert Kretzschmar’s Debut Album Is a Beautifully Tender Alt-Folk ‘Homecoming’

by Mitch Mosk
E POI SIAMO FINITI NEL VORTICE - Annalisa
Music, ReviewsOctober 12, 2023<October 12, 2023

Album Review: Annalisa’s ‘E POI SIAMO FINITI NEL VORTICE’ at the Edge of the World

by David Buyze
Katie Gregson-MacLeod © Harvey Pearson
Artist to Watch, Columns, Music, Today's SongOctober 12, 2023<October 12, 2023

Artist to Watch: Getting Vulnerable With Katie Gregson-MacLeod’s Aching Anthem, “Your Ex”

by Mitch Mosk
Jordan Lindley © Chelsea Rochelle
Music, PremieresOctober 12, 2023<April 24, 2024

Premiere: The Raw Ache, Weight, & Intimacy of Jordan Lindley’s Love Song, “Me & The Spiders”

by Mitch Mosk
Sister. © 2023
Columns, Music, Today's SongOctober 11, 2023<October 11, 2023

Today’s Song: The Raw Connection & Soul-Stirring Vulnerability of sister.’s “Abundance”

by Mitch Mosk
Pierre Kwenders © Kim Yang
Interviews, MusicOctober 11, 2023<October 11, 2023

Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon

by Josh Weiner
Live For Me - Omar Apollo 8.4
Music, Our Take, ReviewsOctober 11, 2023<October 11, 2023

Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’

by Sofia Sar
The Hails © Morgan Wuhrl
Concerts, Music, ReviewsOctober 11, 2023<October 11, 2023

Live Review: The Hails Storm the Stage of Boston’s The Middle East for an Electric Night of Indie Rock

by Minna Abdel-Gawad
Alexz Johnson "Take the Blame" © Alastair Sinclair
Music, Music Videos, PremieresOctober 10, 2023<October 10, 2023

Video Premiere: Alexz Johnson Takes the Blame in a Stunningly Cinematic, Emotional Reckoning

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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