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Diego Morales
Columns, Meet Our WritersJanuary 6, 2024<February 4, 2024

Meet Our Writers: Mexico City’s Diego Morales!

by Diego Morales
B-Drop
Music, PremieresJanuary 5, 2024<January 5, 2024

Premiere: B-Drop Worldwide Showcases Pool Surfers & Wingtip

by Mitch Mosk
Vinnie Paolizzi © Kurt Ozan
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024

Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP

by Lauren Hicks
Corridors - Donna Lewis © 2024
Columns, Music, Today's SongJanuary 5, 2024<January 4, 2024

Today’s Song: Donna Lewis Unveils Her Radiant & Remarkable “Corridors” With Holmes Ives

by Chloe Robinson
Atwood Magazine's 2023 Albums of the Year
Features, Lists, MusicJanuary 3, 2024<January 4, 2024

Atwood Magazine’s 2023 Albums of the Year

by Atwood Magazine Staff
Jack Harlow © Cian Moore
Columns, Music, Today's SongJanuary 3, 2024<January 3, 2024

Today’s Song: Jack Harlow’s “Lovin on Me” Has Roots Tied Down in Detroit

by Guest Writer
Another Christmas Album - Amerigo Gazaway
Interviews, Mistletones, MusicDecember 22, 2023<December 22, 2023

Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure

by Mitch Mosk
Atwood Magazine's 2023 Songs of the Year
Features, Lists, MusicDecember 22, 2023<January 9, 2024

Atwood Magazine’s 2023 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's Mistletones 2023, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Atwood Magazine's Top Artist Discoveries of 2023
Features, Lists, MusicDecember 21, 2023<January 4, 2024

Atwood Magazine’s Top Artist Discoveries of 2023

by Atwood Magazine Staff
TRISHES © Walter Seward
Columns, Music, Today's SongDecember 20, 2023<January 8, 2024

Today’s Song: TRISHES’ Otherworldly “Astrology” Explores a Religious Belief and a Celestial Bond with the Universe

by Chloe Robinson
Sid Simons © Elliott Atkinson
Concerts, EssaysDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

by Noah Berghammer
Truth Club © Walker Bankson
Features, Interviews, MusicDecember 20, 2023<December 20, 2023

Interview: Raleigh’s Truth Club on Genre, Inspiration, & the Spice of Variety

by Guest Writer
Atwood Magazine's Best Shows of 2023
Concerts, Features, Lists, MusicDecember 20, 2023<January 4, 2024

Atwood Magazine’s Best Concerts of 2023!

by Atwood Magazine Staff
Pink Friday 2 - Nicki Minaj © Charlotte Rutherford 8.6
Music, Our Take, ReviewsDecember 19, 2023<December 19, 2023

Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’

by Josh Weiner
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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