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Curling © 2023
Columns, Music, Today's SongAugust 1, 2023<August 1, 2023

“Don’t be defined by these chains”: Curling’s Heated, Anthemic Alt-Rock Surrender, “Patience”

by Mitch Mosk
BAYEM © Owen Thomas
Features, Interviews, Music, Track-by-TrackJuly 31, 2023<July 31, 2023

Track-by-Track: BAYEM Embraces Life’s In-Betweens on Vaporwave-Inspired ‘OASIS’ EP

by Mitch Mosk
Nina de Vitry © Joseph Ross Photography
Music, PremieresJuly 31, 2023<July 31, 2023

Premiere: It’s the Right Time for Nina de Vitry’s Seductive & Liberating “Wrong Thing”

by Mitch Mosk
Katelyn Tarver © Irida Mete
Columns, Music, Today's SongJuly 31, 2023<July 31, 2023

Today’s Song: Katelyn Tarver Shines a Light in the Dark With “Starting to Scare Me”

by Kelly McCafferty Dorogy
Niia © Diego Vourakis
Columns, Music, Today's SongJuly 30, 2023<July 29, 2023

A License for Letting Go: Niia’s “Alfa Romeo” Sets the Stage for New Album, ‘Bobby Deerfield’

by Lauren Hicks
Danny Vagnoni © 2023
Columns, Meet Our WritersJuly 29, 2023<July 29, 2023

Meet Our Writers: Philadelphia’s Danny Vagnoni

by Danny Vagnoni
Beabadoobee "the way things go" © Antonius Cramer
Columns, Music, Today's SongJuly 29, 2023<July 29, 2023

Today’s Song: Beabadoobee Becomes a Ballerina With “the way things go”

by Julia Dzurillay
Darlingside © Shervin Lainez
Features, Interviews, Music, Track-by-TrackJuly 28, 2023<July 30, 2023

‘Everything Is Alive’: Inside Darlingside’s Vulnerable, Energizing & Soul-Stirring Fifth LP

by Mitch Mosk
I Wanna Spend It With You - The Satellite Station © 2023
Columns, Music, Today's SongJuly 28, 2023<July 28, 2023

Today’s Song: The Satellite Station’s Soulful Celebration of Love, “I Wanna Spend It With You”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 28, 2023
Columns, Features, Music, Weekly RoundupJuly 28, 2023<August 19, 2025

Atwood Magazine’s Weekly Roundup: July 28, 2023

by Atwood Magazine Staff
Milky Day © 2023
Features, Interviews, MusicJuly 28, 2023<July 28, 2023

Interview: Milky Day Discusses Inner Demons, Overcoming Burnout, & Breaking Genre Barriers in Light of New Single, “Losing My Grip”

by Freya Rinaldi
Atwood Magazine's Editor's Picks 105
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023

Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond!

by Mitch Mosk
Bad Tiger © 2023
Music, PremieresJuly 27, 2023<July 28, 2023

Premiere: Bad Tiger’s “New Growth” Is a Charming and Churning Indie Pop Reverie

by Mitch Mosk
Paul Simon at the 2022 Newport Folk Festival © Rett Rogers
Festival, Music, PreviewsJuly 27, 2023<July 27, 2023

Preview: 2023’s Newport Folk Festival Promises a Legendary Celebration of Folk Music

by Nick Polak
Mad Cool 2023 © Michael Greco
Festival, Music, ReviewsJuly 27, 2023<July 27, 2023

Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue

by Michael Greco
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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