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Almost Heaven © Kylie Bly
Debut, Features, Interviews, MusicMarch 9, 2026<March 10, 2026

“We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’

by Mitch Mosk
Rosina Buck
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Dancing with the Sacred Wound”: Rosina Buck Reflects on Transforming Pain into Art for International Women’s Day

by Guest Writer
Sailing Stones © 2026
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“The Mercurial, Missing Music of Motherhood”: An Essay by Sailing Stones for International Women’s Day

by Guest Writer
“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day
Essays, Music, Women's History MonthMarch 8, 2026<March 8, 2026

“Some Voices Do Not Fade”: The I AM PROUD Collective Honors Sojourner Truth’s Enduring Legacy for International Women’s Day

by Guest Writer
John-Robert © Jon Alan
Columns, Music, Today's SongMarch 8, 2026<March 8, 2026

John-Robert’s “Anna” Brings Back the Art of Crushing – and the Thrill That Comes With It

by Miranda Urbanczyk
Desert Collider © Andrea Casagranda
Columns, Music, Today's SongMarch 7, 2026<March 7, 2026

Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”

by Will Yarbrough
David Kennan © Rob Benson
Features, Interviews, MusicMarch 6, 2026<March 9, 2026

“We Live, We Learn, We Love”: David Keenan on Irish Storytelling, Belonging, and the Human Struggle Behind ‘Modern Mythologies’

by Damien Joyce
Dogpark © Ilona Donovan
Features, Interviews, MusicMarch 6, 2026<March 6, 2026

“Am I the problem?:” Dogpark Break Down Industry Pressure and the World Behind ‘Corporate Pudding’

by Miranda Urbanczyk
Gabi Hartmann © Elsa Parra
Features, Interviews, Music, Today's SongMarch 6, 2026<March 6, 2026

“I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound

by Mitch Mosk
Ava Della Pietra "3am" © Georgia Nerheim
Music, Music Videos, PremieresMarch 5, 2026<March 23, 2026

“Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity

by Mitch Mosk
MisterWives' Mandy Lee Is Cherry Bomb - "Never Be Me" © Matty Vogel
Debut, Interviews, Music, Today's SongMarch 5, 2026<March 5, 2026

“A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)”

by Mitch Mosk
Feaster "Gene"
Music, PremieresMarch 4, 2026<March 4, 2026

“Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”

by Mitch Mosk
Bruno Mars 'The Romantic' © John V. Esparza 7.3
Music, Our Take, ReviewsMarch 4, 2026<March 4, 2026

Our Take: Bruno Mars Delivers Charming, Slow-Burning Fun on Fourth Solo Album ‘The Romantic’

by Josh Weiner
Mia Nicolai "Nothing Compares to This Feeling" © Joelle Grace
Interviews, Music, Music Videos, PremieresMarch 4, 2026<March 4, 2026

“You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie

by Mitch Mosk
Carter Vail "Ants in My Room" © Makayla Keasler
Interviews, Music, Today's SongMarch 4, 2026<March 4, 2026

“Yes, It’s About Ants”: Carter Vail Turns Paranoia, Loneliness, and Absurdity into an Indie Pop Earworm on “Ants in My Room”

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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