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Jake & Shelby © Emmy Meleika
Columns, Music, PremieresSeptember 3, 2025<September 3, 2025

“I Don’t Wanna Be Fragile”: Jake & Shelby Bare Their Souls in “Fragile,” an Achingly Intimate Indie Pop Confessional

by Mitch Mosk
Luca Wilding "Leonine" © Aisha Schliessler
Columns, Music, Music Videos, PremieresSeptember 3, 2025<September 17, 2025

“Oh Man, He Must Be Free”: Luca Wilding Explores the Duality of Memory in “Leonine,” a Dreamy Indie Folk Song of Grief, Light, & Liberation

by Mitch Mosk
McCartney’s Wings legacy is re-centered in new retrospective material © Aidan Moyer
Music, NewsSeptember 3, 2025<September 3, 2025

No Less, Know More: Paul McCartney on “Daytime Nighttime Suffering”

by Aidan Moyer
Goldie Boutiliere © Greg Swales
Artist to Watch, Interviews, MusicSeptember 3, 2025<September 3, 2025

“Gangster in a Gown”: Goldie Boutilier Steps into Her Prime as ‘Goldie Montana,’ an Outlaw Era of Grit, Glamour, & Bad Decisions

by Mitch Mosk
Nicki Bluhm © Lauren Massie
Music, PremieresSeptember 2, 2025<September 2, 2025

“I’m Just Along for the Ride”: Nicki Bluhm Premieres “Tumbleweed,” a Radiant, Soulful Ode to Surrender & the Present Moment

by Mitch Mosk
Jack Garratt 'Pillars' © Wolf James
Features, Interviews, MusicSeptember 2, 2025<October 6, 2025

“There Are Red Flags All Over the Place”: Jack Garratt’s Big Risks Pay Off on ‘Pillars,’ an Unflinching Album of Love, Scars, & Survival

by Mitch Mosk
The Pretty Reckless © Lewis Cater
Columns, Music, Today's SongSeptember 2, 2025<September 1, 2025

Haunting, Heavy, & Alive: The Pretty Reckless Return with “For I Am Death”

by Danielle Holian
The Clearing - Wolf Alice 7.6
Music, Our Take, PremieresSeptember 1, 2025<September 1, 2025

Our Take: Wolf Alice Step into ‘The Clearing’ With Their Most Confident & Mature Album Yet

by Julia Dzurillay
Lindsey Rose Black © Lauren Bennet
Columns, Music, Today's SongSeptember 1, 2025<September 1, 2025

“You Can’t Take the Cunt, Honey, Out of Country”: Lindsey Rose Black Is Unleashed in a Bold, Queer Feminist Fever Dream

by Mitch Mosk
Medium Build "Last Time" © Tyler Krippaehne
Columns, Music, Today's SongAugust 31, 2025<August 31, 2025

Medium Build Captures Life’s Beauty & the Ache of Endings in “Last Time,” a Smoky, Soulful, & Smoldering Seduction

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 30, 2025
Columns, Features, Music, Weekly RoundupAugust 30, 2025<August 30, 2025

Atwood Magazine’s Weekly Roundup: August 30, 2025

by Atwood Magazine Staff
Alabama Shakes © Bobbi Rich
Columns, Music, Today's SongAugust 30, 2025<August 30, 2025

“Can We Try Again?”: Alabama Shakes Return After a Decade with “Another Life,” a Seductive & Smoldering Fever Dream

by Mitch Mosk
Glom © Sebastian Mejias
Artist to Watch, Interviews, MusicAugust 29, 2025<August 29, 2025

“I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release

by Mitch Mosk
Angelsaur © Ivan Campos
Interviews, MusicAugust 29, 2025<August 29, 2025

“A Chaotic Feast”: Angelsaur Are Unraveled & Unfiltered on ‘The Girls Are Stressed,’ a Raw Reckoning With Everyday Life

by Mitch Mosk
Maggie Lindemann 'i feel everything' © 2025
Features, Interviews, MusicAugust 29, 2025<August 29, 2025

“This Is a War Cry”: Maggie Lindemann on ‘i feel everything’ and Owning Her Chaos

by Nicolle Knapová
Posts pagination
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Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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