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Firefly Music Festival 2022 preview
Festival, Music, PreviewsSeptember 19, 2022<September 19, 2022

2022 Firefly Music Festival Preview: Ten Years at the Woodlands

by Michael Greco
Maria Sanchez © 2022
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 19, 2022<September 27, 2022

“Ponte las Pilas”: Maria Sanchez (Groovy MS) Shares Her Essay for National Hispanic Heritage Month

by Guest Writer
Ayla D'lyla © Malina Weissman
Columns, Music, Today's SongSeptember 19, 2022<September 19, 2022

Today’s Song: Ayla D’Lyla Pens a Love Letter to the Catskills on “Anywhere But Here”

by Josh Weiner
mx lonely © 2022
Columns, Music, Today's SongSeptember 17, 2022<September 15, 2022

Today’s Song: New York Rockers Mx Lonely Blend Post-Punk & Shoegaze on “Paper Cranes” & New LP ‘Cadonia’

by Beau Hayhoe
Atwood Magazine's Editor's Picks 73
Columns, Editor's Picks, Features, MusicSeptember 16, 2022<September 29, 2022

Editor’s Picks 73: Kramies, Maude Latour, The 1975, Jessie Reid, The Backseat Lovers, & milk.!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 16, 2022
Columns, Features, Music, Weekly RoundupSeptember 16, 2022<September 29, 2022

Atwood Magazine’s Weekly Roundup: September 16, 2022

by Atwood Magazine Staff
Weyes Blood © Neil Krug
Columns, Music, Today's SongSeptember 16, 2022<September 15, 2022

Today’s Song: Everybody Splits Apart Sometimes; Weyes Blood Puts Back the Pieces with New Single “It’s Not Just Me, It’s Everybody”

by Sophie Severs
Kelsea Ballerini © Patrick Tracy
Features, Interviews, MusicSeptember 15, 2022<March 11, 2023

“An Open Heart”: Kelsea Ballerini on Finding Herself and Her Voice on New Album, ‘SUBJECT TO CHANGE’

by Emily Frances Algar
Gordi © Jess Gleeson
Features, Interviews, Music, Track-by-TrackSeptember 15, 2022<December 11, 2022

“Escape Outwards Inwards”: Gordi Discusses Her Beautifully Raw & Innately Human ‘Inhuman’ EP

by Mitch Mosk
Walker Landgraf © 2022
Music, PremieresSeptember 15, 2022<September 15, 2022

“Comfort, Community, and Making a Home”: Walker Premieres Soulful & Soothing New Single, “I’ll Be Right Here”

by Mitch Mosk
Stalking Gia © 2022
Columns, Music, Today's SongSeptember 15, 2022<September 14, 2022

Today’s Song: Stalking Gia Examines a Bliss Laced in Sorrow with “saddest happy girl”

by Chloe Robinson
Nitti Gritty © Koury Angelo
MusicSeptember 14, 2022<September 13, 2022

Interview: Nitti Gritti Will “Drive You Crazy” with Summer Lovin’ & Nostalgia on New Collab with Dylan Matthew

by Josh Weiner
Jenny Kern © Mara Rothman
Columns, Music, Today's SongSeptember 14, 2022<September 13, 2022

Today’s Song: Explore the Strength in Vulnerability with Jenny Kern’s “I Should Lose You”

by Joe Beer
Mellor © Alex Wickenden
Artist to Watch, Music, PremieresSeptember 13, 2022<September 14, 2022

Artist to Watch: UK Indie Rockers Mellor Roar on Stunning, Sardonic “Battle Hardened” Off Forthcoming Debut

by Mitch Mosk
Laufey © Gemma Warren 9.1
Debut, Music, Our Take, ReviewsSeptember 13, 2022<September 12, 2022

Our Take: Tender, Intimate, & Warm, Laufey Wears Her Heart on Her Sleeve in ‘Everything I Know About Love’

by Isabella Le
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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