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SPIN - OTNES
Artist to Watch, Debut, Interviews, MusicDecember 20, 2022<April 26, 2023

Artist to Watch: OTNES Grieves & Glistens on Dreamy, Dazzling Debut Single “SPIN”

by Mitch Mosk
Andy Frasco & The U.N. © Andrew Hutchins
Columns, Interviews, Music, Today's SongDecember 20, 2022<December 20, 2022

“I’m trying to keep rock and roll alive”: Andy Frasco on the Most Important Song He’s Ever Written

by Nick Polak
Atwood Magazine's 2022 Songs of the Year
Features, Lists, MusicDecember 19, 2022<March 11, 2023

Atwood Magazine’s 2022 Songs of the Year

by Atwood Magazine Staff
Algiers © Ebru Yildiz
Columns, Music, Today's SongDecember 19, 2022<December 18, 2022

Today’s Song: Algiers Get Collaborative & Team with Zack de la Rocha for “Irreversible Damage” Off 4th LP, ‘Shook’

by Beau Hayhoe
Atwood Magazine's Mistletones 2022, Pt. 3
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2022<January 7, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 3

by Atwood Magazine Staff
Crowder's Milk & Cookies: A Merry Crowder Christmas © Mary Caroline Russell 5a
Features, Interviews, Mistletones, MusicDecember 16, 2022<December 16, 2022

Interview: Crowder Gets into the Holiday Spirit with Festive, Faithful, & Funny Christmas Album, ‘Milk & Cookies: A Merry Crowder Christmas’

by Mitch Mosk
Atwood Magazine's Best Shows of 2022
Concerts, Features, Lists, MusicDecember 16, 2022<December 20, 2022

Atwood Magazine’s Best Concerts of 2022!

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | December 16, 2022
Columns, Features, Music, Weekly RoundupDecember 16, 2022<December 16, 2022

Atwood Magazine’s Weekly Roundup: December, 16, 2022

by Atwood Magazine Staff
Mannequin Pussy © Phobymo
Features, Interviews, MusicDecember 15, 2022<December 15, 2022

“There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More

by Michael Greco
Atwood Magazine's Top Artist Discoveries of 2022
Features, Lists, MusicDecember 15, 2022<March 11, 2023

Atwood Magazine’s Top Artist Discoveries of 2022

by Atwood Magazine Staff
Jasmine Star © 2022
Interviews, MusicDecember 14, 2022<December 28, 2023

Wembley Dreams: Young Shredder Jasmine Star on Guitar, TikTok, New Music & More

by Andrew Daly
Atwood Magazine's Mistletones 2022, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 14, 2022<March 11, 2023

Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2

by Atwood Magazine Staff
Day Wave © Nikoli Partiyeli
Columns, Music, Today's SongDecember 14, 2022<December 14, 2022

Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’

by Beau Hayhoe
Queen of Hearts - Lily Lane
Music, Track-by-TrackDecember 13, 2022<December 14, 2022

Track-by-Track: Lily Lane Returns with Exceptional Musicality on Sophomore LP ‘Queen of Hearts’

by Joe Beer
Boogie Belgique © Monday Jr
Features, Interviews, MusicDecember 13, 2022<December 14, 2022

Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In

by Josh Weiner
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Brand New

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

:: discover something new ::

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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