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Bridget Rian "New Hampshire" © Josh Kranich
Music, PremieresJune 8, 2022<June 8, 2022

Premiere: Bridget Rian’s Brightly Charged Breakup Anthem “new hampshire”

by Mitch Mosk
Micah Edwards © 2022
Debut, Features, Interviews, Music, PremieresJune 8, 2022<June 8, 2022

Album Premiere: “Mr. Texas Soul” Micah Edwards Shares His Heartbreaking, Hopeful, & Redeeming Debut ‘Jean Leon’

by Mitch Mosk
Sister Ray © Vanessa Heins
Debut, Features, Interviews, Music, Track-by-TrackJune 8, 2022<June 8, 2022

Inside Sister Ray’s Unfiltered & Liberating Debut ‘Communion’: “If anybody’s gonna get crucified, I want it to be me tonight”

by Mitch Mosk
courtship. © Emily Nava
Features, Interviews, MusicJune 8, 2022<February 7, 2023

Feature: Kick Back and Slurp Some “Million Dollar Smoothies” with courtship.

by Anthony Kozlowski
Gretchen Klempa © Chelsea Rose
Columns, Debut, Music, Today's SongJune 8, 2022<June 8, 2022

Gretchen Klempa Doesn’t Want to Say Goodbye in Debut Single “Drunk at Your Funeral”

by Joe Beer
Ken Yates © Jen Squires
Features, Interviews, Music, Track-by-TrackJune 7, 2022<August 4, 2023

“Searching for those small moments of peace”: Ken Yates Dives into 4th LP ‘Cerulean,’ a Softly Stirring Triumph of Grief & Hope

by Mitch Mosk
Charlie Hickey © Frank Ockenfels
Debut, Features, Interviews, MusicJune 7, 2022<July 9, 2022

To Those Who Wait: A Conversation with Charlie Hickey

by Nasim Elyasi
Darius © Manu Fauque
Music, Music Videos, PremieresJune 7, 2022<June 7, 2022

Premiere: Darius & Devin Tracy Dwell in an Intimate Euphoria on Groovy, Seductive “Ease Your Mind”

by Mitch Mosk
Soccer Mommy © Sophie Hur
Columns, Music, Today's SongJune 7, 2022<June 7, 2022

Today’s Song: Soccer Mommy Seamlessly Integrates the New, Retro, and Modern in “Bones”

by Rachel Leong
Spoon 'Lucifer on the Sofa' © Oliver Halfin
Features, Interviews, MusicJune 7, 2022<June 7, 2022

“It’s a great rock record in a time when rock n’ roll is needed”: Jim Eno on Spoon’s 10th LP ‘Lucifer on the Sofa’

by Mitch Mosk
John Doe © Todd V. Wolfson
Features, Interviews, MusicJune 6, 2022<March 2, 2025

After the Fall: John Doe on ‘Fables in a Foreign Land,’ Isolation, and Poetry

by Mariel Fechik
Sunflower Thieves © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 6, 2022<August 7, 2024

Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’

by Mitch Mosk
Ziggy Alberts & Donovan Woods © 2022
Columns, Music, Today's SongJune 6, 2022<June 6, 2022

Today’s Song: Ziggy Alberts & Donovan Woods Reckon with Cultural Trends & Polarization in “THE SUN & THE SEA”

by Mitch Mosk
Les Claypool © Paul Haggard
Features, Interviews, MusicJune 6, 2022<June 7, 2022

Interview with Les Claypool: Primus, Oysterhead Founder Discusses Rush, Wine Making, Fishing, Movies, & More

by Guest Writer
Boyish © Anna Koblish
Features, Interviews, Music, Track-by-TrackJune 3, 2022<September 29, 2022

“Nostalgic, Blunt, & Vulnerable”: Boyish’s ‘My Friend Mica’ Is Pure Summer Bummer Bliss

by Mitch Mosk
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Brand New

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

:: discover something new ::

Recent Posts

  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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