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The Paper Kites © Tim Harris
Interviews, Music, Today's SongNovember 25, 2025<November 25, 2025

“I’m Gonna Try Some Good Living”: The Paper Kites Find Soft Hope and Homecoming on “When the Lavender Blooms,” a Warm Exhale of Light, Gratitude, & Grace

by Mitch Mosk
Henry Grace © Jess Bibby
Artist to Watch, Interviews, MusicNovember 24, 2025<November 24, 2025

Artist to Watch: Henry Grace Emerges with “Say Something Mean,” a Soul-Stirring Song of Humanity, Heat, & Hard-Won Clarity

by Mitch Mosk
mei ehara 'All About McGuffin' © Naoki Usuda
Features, Interviews, MusicNovember 24, 2025<November 24, 2025

“Being Able to Do What You Love Is Happiness”: Mei Ehara Takes a Creative Leap with ‘All About McGuffin’

by Aileen Goos
Truth, Justice and A Better Tomorrow: Tyler Hoechlin, Christopher Reeve, and newcomer David Corenswet as Superman © Aidan Moyer
Film, Music, ReviewsNovember 24, 2025<November 24, 2025

You Can Hear It, Too, If You’re Sincere: Soundtracking Superman

by Aidan Moyer
New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’
Columns, Music, Music & CitiesNovember 24, 2025<November 24, 2025

Music & Cities: New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’ in New York City

by David Buyze
Kevin Jonas "Changing" © 2025
Columns, Music, Today's SongNovember 24, 2025<November 24, 2025

Kevin Jonas’ “Changing” Is the Quiet Evolution Fans Always Knew He Had

by Danielle Holian
Perren © Hailey Jansson
Interviews, Music, Today's SongNovember 22, 2025<November 22, 2025

“It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation

by Mitch Mosk
BEL 'Holy Grail' album art © SJ Spreng
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

“Just Keep Going”: BEL on Chasing, Making, & Releasing Her ‘Holy Grail,’ and the Quiet Determination at the Heart of Her Debut LP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 21, 2025
Columns, Features, Music, Weekly RoundupNovember 21, 2025<November 26, 2025

Atwood Magazine’s Weekly Roundup: November 21, 2025

by Atwood Magazine Staff
The Brook & The Bluff © Luke Rogers
Interviews, Music, Today's SongNovember 21, 2025<November 21, 2025

“We Wanted to Come Out of the Gates Really Hot”: The Brook & The Bluff Ignite a New Era with “Super Bowl Sunday,” a Hard-Hitting, High-Voltage Anthem of Motion & Self-Reckoning

by Mitch Mosk
Taylor Momsen’s Pretty Reckless Christmas © Steph Gomez
Mistletones, Music, ReviewsNovember 21, 2025<November 21, 2025

The Pretty Reckless Reimagine the Holidays with ‘Taylor Momsen’s Pretty Reckless Christmas’

by Danielle Holian
Buffalo Traffic Jam © Matthew Alec Gold
Debut, Features, Interviews, MusicNovember 21, 2025<November 21, 2025

Buffalo Traffic Jam’s ‘Take Me Home’ Is the Soundtrack for Life’s Messy Middle

by Aileen Goos
Queen Quail "Narcissus" © Celeste Call
Music, ReviewsNovember 21, 2025<November 21, 2025

One for the Dreamers, the Philosophers, and the Reckoning: Queen Quail’s ‘Narcissus’ EP Is a Sparkling Ode to Identity & Belonging in Your 20s

by Rachel Leong
The Sophs © Eric Daniels
Artist to Watch, Interviews, MusicNovember 20, 2025<November 20, 2025

“Never Deny Yourself Anything”: LA’s The Sophs Push Confession, Chaos, & Catharsis to the Brink on “DEATH IN THE FAMILY”

by Mitch Mosk
Izzy Outerspace "Closer" © 2025
Music, Music Videos, PremieresNovember 20, 2025<November 20, 2025

“If You’re Still Here, I Offer You the World”: Izzy Outerspace Unleashes a Dramatic, Impassioned, & Turbulent Reckoning on “Closer”

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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