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The Heartstrings Project © 2025
Columns, Interviews, Music, Today's SongJuly 1, 2025<July 1, 2025

Interview: The Heartstrings Project Finds Freedom in Motion with Reflective New Single “30”

by Aileen Goos
Woody Guthrie, standing, with a guitar around his neck and the written message, "This Machine Kills Fascists" © Lester Balog
Editorials, MusicJuly 1, 2025<July 1, 2025

“This Land Is Your Land”: The Unfinished Legacy of Woody Guthrie, from the Great Depression to Trump’s America

by Audrey Connelly
Suki Summer © courtesy of the artist
Features, Interviews, MusicJune 30, 2025<June 30, 2025

Interview: Suki Summer on Vulnerability, Romance, & the Making of Her EP ‘Lovesick and Sick of Love’

by Danielle Holian
bbno$ © Ed Gumuchian Montecristo
Features, Interviews, MusicJune 30, 2025<June 30, 2025

No Label, No Limits: Inside bbno$’s Self-Made Music Machine

by Brian Denney
APACALDA © Suzie King
Columns, Music, Pride MonthJune 30, 2025<June 30, 2025

“Embracing My Multiplicity, Unapologetically”: A Pride Month Essay by APACALDA

by Guest Writer
Mac DeMarco © 2025
Columns, Music, Today's SongJune 30, 2025<June 30, 2025

Today’s Song: Mac DeMarco Redefines What “Home” Really Means

by Miranda Urbanczyk
caroline & Caroline Polachek's "Tell me I never knew that" © Henry Redcliffe
Columns, Music, Today's SongJune 29, 2025<June 28, 2025

Today’s Song: caroline & Caroline Polachek Merge Pastoral Folk with Art Pop on “Tell me I never knew that”

by Liz Costello
NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’
Features, Interviews, Music, Today's SongJune 28, 2025<July 1, 2025

“I Want People to Dance”: NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’

by Mitch Mosk
Atwood Magazine's 126th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 27, 2025<July 3, 2025

Editor’s Picks 126: NoSo, James Smith, Billy Nomates, Brian Dunne, Glitterfox, & Mon Rovîa!

by Mitch Mosk
Micah McLaurin "Remember Me" © An Le
Editorials, Music, Playlists, Pride MonthJune 27, 2025<July 1, 2025

“That’s So Gay”: A Pride Month Playlist by Micah McLaurin

by Guest Writer
Alexei Shishkin © Kevin Doran
Editorials, MusicJune 27, 2025<June 27, 2025

“The Making of ‘Good Times’”: An Essay by Alexei Shishkin

by Guest Writer
Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

by Will Yarbrough
Neutral Snap © Bill Cardella
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: New Orleans Natives Neutral Snap Unleash an Addictive Pop-Punk Aura with “Danny ACOG”

by Chloe Robinson
Boy in Space © 2025
Features, Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Boy in Space Reflects on Past Work, His Unique Vocal Tone, & His Latest EP, ‘The Butterfly Affect’

by Noah Wade
M.anifest © Emmanuel Mensah Agbeble
Features, Interviews, Music, Track-by-TrackJune 26, 2025<December 14, 2025

Feature: Ghanaian Rapper M.anifest Breaks Down His Boldly Ambitious Pan-African Album, ‘NEW ROAD AND GUAVA TREES’

by Mitch Mosk
Posts pagination
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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