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Royal Canoe © 2021
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Royal Canoe & NNAMDÏ Come Alive in Captivating Jazz-Tinged “Scratching Static”

by Mitch Mosk
Beharie © Isak Jenssen
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Vulnerability & Self-Discovery Shine in Beharie’s “Don’t Wanna Know” Music Video

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month V
Asian American and Pacific Islander Heritage Month, Features, MusicMay 26, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. V

by Atwood Magazine Staff
Nancy Lu © Nate Cover
Asian American and Pacific Islander Heritage Month, InterviewsMay 26, 2021<May 27, 2021

Interview: Fancy PR Owner Nancy Lu Shares Her Story & Chinese Culture for AAPI Heritage Month

by Mitch Mosk
Nic Howell © 2021
Music, ReviewsMay 25, 2021<May 25, 2021

Review: Nic Howell’s Summery “Morning” Dazzles with a Buoyant & (Bitter)sweet Radiance

by Mitch Mosk
Maeve © Leanda Heler
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: Maeve Indulges in the Dark Side on Feverish Anti-Pop Anthem “Sick”

by Mitch Mosk
Kianja © John Phillips
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: British Singer/Songwriter Kianja Spills Her Soul in “Place for Me”

by Mitch Mosk
Kim Valderas
Asian American and Pacific Islander Heritage Month, InterviewsMay 25, 2021<May 27, 2021

Interview: Motown Records’ Kim Valderas Shares Her Story & Filipino Culture for AAPI Heritage Month

by Mitch Mosk
Vaarin © 2021
Music, Premieres, Reviews, Track-by-TrackMay 25, 2021<May 26, 2021

Of Light, Love, Loss, & Life: Vaarin Dives into Her Cinematic ‘Imaginary Movies’ EP

by Mitch Mosk
IgnoRANT - Racquel Jones
Debut, Features, Music, Reviews, Track-by-TrackMay 25, 2021<May 25, 2021

“Aggressive. Vulnerable. Honest.”: Racquel Jones Rises with a Fire in Unapologetic Debut ‘IgnoRANT’

by Mitch Mosk
Jeff Hortillosa © Ishmael Quintanilla
Music, PremieresMay 25, 2021<May 25, 2021

Premiere: Austin’s Jeff Hortillosa Tackles Explores Isolation & Mental Health in “Alone”

by Mitch Mosk
Course © Chloe Hamilton
Features, Music, Reviews, Track-by-TrackMay 25, 2021<August 30, 2021

“Dreamy, Joyful, Synthy”: Chicago’s Course Rise with Fresh, Spirited Debut Album ‘A Late Hour’

by Mitch Mosk
Niall McNamee © Lee Malone
Columns, Music, Today's SongMay 25, 2021<May 25, 2021

Today’s Song: Niall McNamee Warms Even the Coldest Of Hearts in “Step by Step”

by Joe Beer
Lord Huron © Anthony Wilson 2021 10
Features, Interviews, MusicMay 25, 2021<February 7, 2022

Interview: Lord Huron Dive into Time’s Blur on Their “Indefinably Nostalgic” 4th Album ‘Long Lost’

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month IV
Asian American and Pacific Islander Heritage Month, Features, MusicMay 24, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. IV

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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