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The Rayes © 2020
Music, Premieres, Track-by-TrackDecember 10, 2020<December 10, 2020

EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine

by Mitch Mosk
Columns, Interviews, MusicDecember 10, 2020<December 9, 2020

A Conversation with Nu Deco Ensemble: An Innovative Orchestra Making Waves in Miami

by Josh Weiner
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 10, 2020<December 10, 2020

Breaking the Record with Roan Yellowthorn, Part 43: The Ball Is Rolling

by Guest Writer
Rob Marr © 2020
Columns, Music, Today's SongDecember 10, 2020<July 31, 2023

Today’s Song: Rob Marr Pays Tribute to his Father on Raw & Beautiful “Death and Comfort”

by Joe Beer
Babeheaven © Luca Anzalone
Debut, Features, Interviews, MusicDecember 9, 2020<December 14, 2020

“Emotional Heavenly Bliss”: Babeheaven Unveil the Dreamy, Realized Depths of Debut ‘Home for Now’

by Mitch Mosk
Racoon Racoon © 2020
Music, Reviews, Track-by-TrackDecember 9, 2020<December 9, 2020

Track-by-Track: Racoon Racoon Strike Gold in Achingly Beautiful ‘A Birds Story’ EP

by Mitch Mosk
Music, This Just InDecember 9, 2020<December 9, 2020

This Just In: Claud’s “Soft Spot” is a Charming Dive into Life’s ‘What If’ Moments

by Adrian Vargas
Ingrid Michaelson © Shervin Lainez
Features, Interviews, MusicDecember 9, 2020<December 10, 2020

Interview with Ingrid Michaelson: Bringing Joy to the World with the Holiday Hop

by Nina Schaarschmidt
Rosehip Teahouse's Faye Rogers © Adam Whitmore
Editorials, MusicDecember 9, 2020<December 9, 2020

Essay: Rosehip Teahouse’s Faye Rogers on Gender, Mental Health, and Music

by Guest Writer
Big Bunny EP - Alaska Reid
Debut, Features, Interviews, Music, PremieresDecember 9, 2020<February 5, 2021

Feature: Alaska Reid’s ‘Big Bunny’ EP Is a Stunningly Visceral & Beautifully Breathtaking Reckoning

by Mitch Mosk
Sincere Engineer © Hovland
Columns, Music, Today's SongDecember 9, 2020<December 9, 2020

Today’s Song: Sincere Engineer Bring Honesty to Pop Punk on “Trust Me”

by Ethan James
Ryann © Clyde Munroe
Music, Reviews, Track-by-TrackDecember 8, 2020<December 8, 2020

Track-by-Track: Ryann Soars on Spirited Debut EP ‘Emotions on Rollerskates’

by Mitch Mosk
Debut, Interviews, MusicDecember 8, 2020<December 8, 2020

Interview with Terrell Morris: Hip-Hop Up-and-Comer Gets Musical & Vulnerable on Eclectic Debut ‘Lavender’

by Josh Weiner
Marilyn Hucek © 2020
Music, ReviewsDecember 8, 2020<December 8, 2020

Review: The Raw and The Real Make Marilyn Hucek’s Song “Vulnerable”

by Kelly McCafferty Dorogy
Bartees Strange © Bao Ngo
Debut, Music, ReviewsDecember 8, 2020<December 8, 2020

Review: Bartees Strange’s Unexplainable Art Will ‘Live Forever’

by James Crowley
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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