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Kids That Fly © Annaliese Baker
Interviews, MusicJune 11, 2025<June 11, 2025

Interview: Kids That Fly Are Bringing Back What It Means to Be in a Band

by Annaliese Baker
DAMNAGE © Manu Lagoteta
Debut, Music, Reviews, Track-by-TrackJune 11, 2025<June 11, 2025

Album Review: DAMNAGE’s Self-Titled Debut Is a Scorching Manifesto of Punk Rock Rebirth

by Danielle Holian
Armlock © Phoebe Cockburn
Columns, Interviews, Music, Today's SongJune 11, 2025<June 11, 2025

“And We Do It All Again”: Melbourne’s Armlock Capture the Warmth of Connection in Softly Stirring “Strobe”

by Mitch Mosk
The Favors are: Finneas O'Connell and Ashe © Alex G Harper
Columns, Debut, Music, Today's SongJune 10, 2025<June 9, 2025

Today’s Song: FINNEAS & Ashe Find Their Voice as The Favors on “The Little Mess You Made”

by Danielle Holian
Mergui "Risk It All" © 2025
Interviews, MusicJune 9, 2025<June 9, 2025

Interview: Mergui Is Willing to “Risk It All” for Some Quality Tunes

by Josh Weiner
MARINA 'PRINCESS OF POWER' © Bethany Vargas 8.4
Music, Our Take, ReviewsJune 9, 2025<June 9, 2025

Our Take: MARINA’s ‘Princess of Power’ Is a Disco Ball of Emotion, Strength, & Self-Discovery

by Danielle Holian
Sabrina Carpenter's "Manchild" music video © Vania Heymann & Gal Muggia
Columns, Music, Today's SongJune 9, 2025<June 9, 2025

Today’s Song: Sabrina Carpenter’s “Manchild” Is a Scathing, Sparkly Summer Anthem with Bite

by Danielle Holian
The Friendship Book of Anne Wagner (1795-1834)
Editorials, MusicJune 6, 2025<June 7, 2025

Notes on the Confessional: Diaries, Dissonance, and Becoming in Modern Indie & Pop

by Guest Writer
Governors Ball Music Festival 2024 © Charles Reagan
Festival, Music, PreviewsJune 6, 2025<June 6, 2025

2025 Governors Ball Music Festival Preview: Modern & Long Beloved Voices at One of the East Coast’s Most Iconic Music Festivals

by Marc Maleri
Waylon Wyatt 'Out of the Blue' © Cole Silberman
Interviews, MusicJune 6, 2025<June 6, 2025

Interview: From Small Town to Spotlight, Waylon Wyatt’s Unlikely Rise to Country Music Fame

by Aileen Goos
Laci Kaye Booth "George F****** Strait" © Natalie Sakstrup
Columns, Music, Today's SongJune 6, 2025<June 6, 2025

Today’s Song: Laci Kaye Booth Embraces Outlaw Country on “George F****** Strait”

by Emily Frances Algar
Sarah Klang © Fredrika Eriksson
Features, Interviews, MusicJune 5, 2025<June 5, 2025

“Coming into Myself”: Sweden’s Sarah Klang on Girlhood, Gratitude, Self-Love, and the Stories Behind ‘Beautiful Woman’

by Mitch Mosk
Atwood Magazine's 123rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 5, 2025<June 5, 2025

Editor’s Picks 123: Armlock, S.G. Goodman, Nii, Night Tapes, House of Harm, & snuggle!

by Mitch Mosk
Cian Ducrot © 2025
Columns, Music, Today's SongJune 5, 2025<June 5, 2025

Today’s Song: Cian Ducrot Spreads Light and Unity on Euphoric Anthem “Shalalala”

by Danielle Holian
Sy Ari da Kid 'The Last Shadow in the Shade' © Chase Gozy
Features, Interviews, Music, Track-by-TrackJune 4, 2025<June 5, 2025

“I’m Going to Be the Last One Standing”: Sy Ari Da Kid on Storytelling, Truth, Independence, & the Legacy of ‘The Last Shadow in the Shade’

by Mitch Mosk
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

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Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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