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Tie you down - HAIM x Bon Iver
Columns, Music, Today's SongNovember 6, 2025<November 6, 2025

“I Don’t Want to Hold You Back”: HAIM & Bon Iver Linger in Love’s Afterglow on “Tie you down,” a Tender Soundtrack to Longing & Letting Go

by Ashley Littlefield
Anthony Ruptak © Angela Bakas
Music, PremieresNovember 5, 2025<November 5, 2025

“An Anthem for the Apocalypse”: Anthony Ruptak Confronts Chaos, Collapse, & Connection on “PHANTASMAGORIA”

by Mitch Mosk
Dave 'The Boy Who Played the Harp' © Gabriel Moses
Music, ReviewsNovember 5, 2025<November 5, 2025

Dave’s ‘The Boy Who Played the Harp’ Dares You to Battle Anxieties Within Yourself & the World Around Us

by Andrew Lamson
Paris Paloma "Good Boy" © Phoebe Fox
Features, Interviews, MusicNovember 5, 2025<November 7, 2025

A World on Fire and a Song to Match: Paris Paloma’s “Good Boy” Era Has Arrived

by Nicolle Knapová
A fire dancer at 2022's Beacon Bonfire © Austin Ruffer
Events, Interviews, MusicNovember 4, 2025<November 4, 2025

A Living Signal Fire: Beacon Bonfire Music + Art Festival Lights Up the Hudson Valley with 5 Days of Creativity, Community, & Connection

by Mitch Mosk
Laura Evans © Rob Blackham
Features, Interviews, MusicNovember 4, 2025<November 4, 2025

From Shadows to Spotlight: Laura Evans’ ‘Out of the Dark’ Shines Bright

by Aileen Goos
Dylan Flynn And The Dead Poets © Jamie Moore
Artist to Watch, Columns, Music, Today's SongNovember 4, 2025<November 4, 2025

“I’ve Been Living Life the Wrong Way”: On “Lately,” Dylan Flynn & The Dead Poets Turn Soul-Searching into a Soaring Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 3, 2025
Columns, Features, Music, Weekly RoundupNovember 3, 2025<November 4, 2025

Atwood Magazine’s Weekly Roundup: November 3, 2025

by Atwood Magazine Staff
Your Future Ghost © Ima Leupp
Debut, Interviews, MusicNovember 3, 2025<November 3, 2025

‘Impatient for the Dream’: Your Future Ghost’s Daring Debut Era Is Unfiltered and On Fire

by Chloe Robinson
Laura Hickli "call it off" © Sara Kueler
Columns, Music, Today's SongNovember 3, 2025<November 3, 2025

“I Wish Things Stayed the Same”: Laura Hickli Reckons with Memory & Survival on “call it off,” a PTSD-Fueled Art Pop Fever Dream

by Mitch Mosk
Wes Parker © Jonathan Parker
Interviews, MusicOctober 31, 2025<October 31, 2025

Freedom and Fallen Angels: Journey into the World of Wes Parker’s ‘fantom’

by Kaiana Lee
joan © Edward Crockett
Features, Interviews, MusicOctober 31, 2025<November 6, 2025

“this won’t last forever”: joan Embrace Impermanence, Creation, & the Beauty of Living in the Grey on Their Cinematic Sophomore Album

by Mitch Mosk
Not for Radio 'Melt' album art
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025

Roundtable Discussion: A Review of Not for Radio’s ‘Melt’

by Atwood Magazine Staff
Tucana "Spirit Bomb" © Joshua A. Fischer
Columns, Music, Today's SongOctober 31, 2025<October 30, 2025

Today’s Song: With “Spirit Bomb,” Tucana Are Prime to Blow Up

by Will Yarbrough
Matt Pond PA © Jesse Dufault
Music, Music Videos, PremieresOctober 31, 2025<October 30, 2025

“Pardon the Intrusion, Could We Leave Before It Gets Bad?”: Matt Pond PA Premiere Their Long-Lost “Halloween” Video in Celebration of Several Arrows Later’s 20th Anniversary

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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