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runo plum "Lemon Garland" © Alexa Viscius
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 24, 2025<September 24, 2025

“Give Me Company, Barefoot and Muddy”: runo plum on the Magic of Friendship and Her Tender Folk Fantasy “Lemon Garland”

by Mitch Mosk
Molly Dolphin © 2025
Debut, Music, ReviewsSeptember 22, 2025<September 22, 2025

Unmasked & Unearthed: Molly Dolphin’s ‘Underground River’ Is a Refreshing Burst of Folk in an Era of Manufactured Music

by Kareem Ghezawi
Lois © studio SODIUM
Interviews, Music, ReviewsSeptember 22, 2025<September 29, 2025

Interview: Lois Is Rewriting the Rules With ‘SEVEN’ – And We’re Listening

by Nicolle Knapová
Little Dog Star © 2025
Artist to Watch, Interviews, MusicSeptember 19, 2025<September 19, 2025

Artist to Watch: Little Dog Star Debuts with “It’s You,” a Radiant Anthem of Love, Longing, & London

by Mitch Mosk
Famous Back Home - Russell Dickerson
Features, Interviews, MusicSeptember 19, 2025<September 19, 2025

Feature: Russell Dickerson Redefines “Famous” on His Fourth Album, ‘Famous Back Home’

by Aileen Goos
Flyte 'Between You and Me' © Madison Rensing
Features, Interviews, MusicSeptember 19, 2025<September 19, 2025

“Tricking Ourselves into Truth”: Flyte on the Revelatory Power of Their Fourth LP, ‘Between You and Me’

by Nasim Elyasi
Renny Conti © Gabe Long
Columns, Music, Today's SongSeptember 19, 2025<September 19, 2025

Today’s Song: Renny Conti Calls a Spade a Spade in “Valley Ford”

by Sophie Severs
The Tullamarines © Jack Fenby
Artist to Watch, Interviews, MusicSeptember 18, 2025<September 18, 2025

“If I Say I Love Myself, I’m Lying”: Adelaide’s The Tullamarines on Making Sad-Happy Songs & Finding Strength in Vulnerability

by Mitch Mosk
Joyce Manor © Dan Monick
Columns, Music, Today's SongSeptember 18, 2025<September 18, 2025

Joyce Manor Toe the Line on Misery & Hope With Catchy Track “All My Friends Are So Depressed”

by Kaiana Lee
Siibii and Aysanabee "Body to Body" © Vera Oh
Music, Music Videos, PremieresSeptember 17, 2025<September 17, 2025

“Your Love Is Medicine”: Siibii and Aysanabee Premiere “Body to Body,” a Soul-Stirring Anthem of Sacred Intimacy, Healing, & Reclamation

by Mitch Mosk
Sydney Rose © Sofia Valladares
Interviews, Music, Today's SongSeptember 17, 2025<September 18, 2025

When Letting Go Feels Like the Only Way to Survive: “I Stopped Trying” by Sydney Rose & Delaney Bailey

by Nicolle Knapová
Sarah Gargano "garden grow" © 2025
Columns, Interviews, Music, Today's SongSeptember 16, 2025<September 23, 2025

Illusions and Inspirations: Sarah Gargano Connects with Nico in “garden grow,” Her Final Song Before New Stage Name ‘Paper Girl’

by McKenna Lucas
Finn Wolfhard © Emilia Voudouris
Columns, Music, Today's SongSeptember 15, 2025<September 4, 2025

Today’s Song: Finn Wolfhard Goes Solo & Objects the Past in “Objection!”

by Ashley Escobar
Sarah Katherine Lawless and Ava McCoy © 2025
Columns, Music, Today's SongSeptember 12, 2025<September 3, 2025

Today’s Song: Sarah Katherine Lawless Celebrates Late Summer in “make it make sense” (stripped) ft. Ava McCoy

by Hannah Burns
Marty Falle
Columns, Music, Today's SongSeptember 11, 2025<September 4, 2025

Marty Falle’s “Up Against the Big Hill Line” Presents a Modern David and Goliath Battle

by Nancy Posey
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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