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Gigi Perez © Caity Krone
Columns, Music, Today's SongJuly 29, 2025<July 29, 2025

Today’s Song: Gigi Perez’s “Twister” Is a Swirling Mystical Ballad Confronting New Worlds and Auto-Tune

by Andrew Lamson
Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

by Mitch Mosk
Folk Bitch Trio © Copper Taylor-Bogaars
Debut, Features, Interviews, MusicJuly 28, 2025<July 29, 2025

Interview: Folk Bitch Trio’s Debut Delivers Gutsy Lyrics and Gorgeous Harmonies

by Aileen Goos
Fejká © Helena Majeswka
Interviews, MusicJuly 28, 2025<July 28, 2025

Interview with Fejká: Chasing EDM Inspiration, From the Black Forest to the Canary Islands

by Josh Weiner
FLETCHER © Carissa Gallo
Music, Reviews, Track-by-TrackJuly 28, 2025<July 28, 2025

Naked Truth in Acoustic Haze: A Love Letter to Self in FLETCHER’s ‘Would You Still Love Me If You Really Knew Me?’

by Danielle Holian
Reneé Rapp © Zora Sicher
Columns, Music, Today's SongJuly 28, 2025<July 28, 2025

Reneé Rapp’s “Why Is She Still Here?” Is a Seductive Reckoning with Being Second Best

by Ari White
Jade Bird © 2025
Columns, Music, Today's SongJuly 27, 2025<July 30, 2025

Today’s Song: Jade Bird Reveals What “Dreams” Are Made of by Uplifting Heartbreak into Optimism

by Ashley Littlefield
Dasha © Alex Green
Columns, Music, Today's SongJuly 26, 2025<July 26, 2025

Dasha Strips It Down in the Song for the Girl Who Never Gave Up, “Oh, Anna!”

by Danielle Holian
Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

by Mitch Mosk
Aidan Bissett 'shut up and love me' © 2025
Debut, Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Aidan Bissett Welcomes the Complexities of Connection on His Debut Album ‘shut up and love me’

by Annaliese Baker
Atwood Magazine's Weekly Roundup | July 25, 2025
Columns, Features, Music, Weekly RoundupJuly 25, 2025<August 4, 2025

Atwood Magazine’s Weekly Roundup: July 25, 2025

by Atwood Magazine Staff
hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

by Mitch Mosk
Jazzie Young © Caitlin Indiana
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview with Jazzie Young: Playing With Changes and Layering Them Atop Indie Pop Beats

by Josh Weiner
Bella Rios 'Right Now' EP © Shervin Lainez
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Bella Rios Finds Her Voice in ‘Right Now,’ a Pop-Rock Diary of Growing Up and Letting Go

by Aileen Goos
Blair Davie "Crashing the Car" © 2025
Columns, Music, Today's SongJuly 25, 2025<July 25, 2025

Today’s Song: “Crashing The Car” and Falling into Love with Blair Davie’s Intimate New Single

by Aileen Goos
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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