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Andy Cook © Mariah Crabb
Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Get Lost in the “Swirl” with Andy Cook

by Mitch Mosk
Vaarwell © 2018
Interviews, Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Vaarwell’s Heart-Heavy “Stay” Is a Rollercoaster of Emotions

by Mitch Mosk
Columns, Music, Today's SongMarch 6, 2018<March 6, 2018

Today’s Song: Bishop Briggs Won’t Wave Her “White Flag”

by Ilana Kalish
Ghost Pressure © Mark Sylvester
Music, PremieresMarch 5, 2018<March 5, 2018

Premiere: Ghost Pressure Shine a Heavy Darkness in “Sunless Dawn”

by Mitch Mosk
Vertigo - Eden
Debut, Music, ReviewsMarch 5, 2018<July 6, 2018

vertigo: EDEN’s Epic Ode to the Isolated Beauty

by Christine Costello
Sneaky Little Devil © 2018
Debut, Music, PremieresMarch 5, 2018<March 5, 2018

Premiere: Sneaky Little Devil Vibe “In & Out of Time” on Dreamy Debut

by Mitch Mosk
Agony - Beach Fossils
Columns, Music, Today's SongMarch 5, 2018<March 5, 2018

Today’s Song: Beach Fossils Add Hazy Layers in “Agony” Cover

by Natalie Crane
ZØYA © Kaitlin Parry
Music, Music Videos, PremieresMarch 2, 2018<March 2, 2018

Video Premiere: ZØYA Finds Her Happy Place on “Chaos in My Head”

by Mitch Mosk
Volunteer © KT Sura
Music, PremieresMarch 2, 2018<March 1, 2018

Premiere: Eclectic & Powerful, Volunteer’s “Money” Is an Anthem You Can’t Miss

by Matthew Tordoff
Albin Lee Meldau © Fredrik Skogkvist
Columns, Music, Today's SongMarch 2, 2018<March 1, 2018

Today’s Song: Heavy Hearts in Albin Lee Meldau’s Soul-Strained “The Weight Is Gone”

by Mitch Mosk
Rue Snider © 2018
Music, PremieresMarch 1, 2018<March 2, 2018

Premiere: Rue Snider’s Beautiful “Vamonos” and its Poignant Life Lesson

by Mitch Mosk
Something to Hold On to - Walker
Debut, Features, Music, PremieresMarch 1, 2018<March 1, 2018

EP Premiere: Walker’s Warm, Grooving Debut is Truly ‘Something to Hold On To’

by Mitch Mosk
Rhys Lewis © 2018
Columns, Debut, Music, Today's SongMarch 1, 2018<March 1, 2018

Today’s Song: Rhys Lewis Explores Heartbreak with “Bloodstains”

by Luke Pettican
BADTALKERS © 2018
Music, Music Videos, PremieresMarch 1, 2018<March 1, 2018

Premiere: BADTALKERS’ Dark & Intimate “No Pity” Stands Against Gun Violence

by Mitch Mosk
Sean McVerry © Kristen Dorata
Music, PremieresMarch 1, 2018<March 1, 2018

Premiere: Sean McVerry’s “So Certain” Captures ’80s Nostalgia without the Glitter

by Kelly Wynne
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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